SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Nevermind The Beatles, here's Exile 61 and Nico: ‘The top 100 records of all time’ – a canon of pop and rock albums from a sociological and an aesthetic perspective
0 references·16 citing·53 second hop
Nevermind The Beatles, here's Exile 61 and Nico: ‘The top 100 records of all time’ – a canon of pop and rock albums from a sociological and an aesthetic perspective (2006)Nevermind The Beatles, here's Exile 61 an…Rock Guitar Virtuosos (2023)Rock Guitar Virtuosos"Guitar Thinking" and "Genre Thinking" among an Online Community of Guitarists (2023)"Guitar Thinking" and "Genre …Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980–91: Part one 1980–851 (2020)Heavy metal justice? Calibrat…Flow (2019)FlowPlay It Again: Rock Music Reissues and the Production of the Past for the Present (2015)Play It Again: Rock Music Rei…La nostalgie construite (2014)La nostalgie construite¿Autonomía, sumisión o hibridación sonora? La construcción del canon estético del pop-rock español (2014)¿Autonomía, sumisión o hibrid…When alternative ends up as mainstream: Slovene popular music as cultural heritage (2013)When alternative ends up as m…Re-enacting process: temporality, historicity and the Women’s Liberation Music Archive (2013)Re-enacting process: temporal…Locating the canon in Tamworth: historical narratives, cultural memory and Australia's ‘Country Music Capital’ (2013)Locating the canon in Tamwort…History without royalty? Queen and the strata of the popular music canon (2013)History without royalty? Quee…Transgender Tribute Bands and the Subversion of Male Rites of Passage through the Performance of Heavy Metal Music (2012)Transgender Tribute Bands and…Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture (2011)Grunge, Riot Grrrl and the Fo…Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince (2010)Pop stars and idolatry: an in…Clara Schumann's collection of playbills: A historiometric analysis of life-span development, mobility, and repertoire canonization (2008)Clara Schumann's collection o…Ethno-National Pop-Rock Music (2007)Ethno-National Pop-Rock MusicMeeting the Universe Halfway (2006)Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)Performing Remains (2011)Queering the Community Music Archive (2017)Framing the field of popular music history and heritage studies (2018)Creative heritage: An approach for research and practice integrating heritage and the performing arts (2021)The image : a guide to pseudo-events in America (1992)Celebrity and power: fame in contemporary culture (1997)The Elementary Forms of the Religious Life: (2011)Music Geographies and Iconic Music Legends: Mapping Céline Dion’s Outstanding Contribution to Music and Global Popular Music Culture (2019)Prince the provocateur: The disruption of masculinities through the style of Prince Rogers Nelson (2020)‘Are there Marlians in the Buhari government?’ Popular music and personality cult in Nigeria (2021)A general theory of bibliometric and other cumulative advantage processes (1976)Handbook of Creativity (1998)Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market (2006)Instrumental performance in the nineteenth century (2012)The Cambridge History of Musical Performance (2012)The performer and the composer (2012)Subculture: The Meaning of Style. (1981)Subculture: The Meaning of Style (1995)Creating Country Music (1997)Music-making Beyond the Pub: The Importance of Community Music and DIY Enterprise in Maintaining Regional Music Scenes (Gippsland Case Study) (2023)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)A Theory of Structure: Duality, Agency, and Transformation (1992)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)A Cultural Globalization of Popular Music? American, Dutch, French, and German Popular Music Charts (1965 to 2006) (2011)Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music (2011)Keep it rocking: The social space of Portuguese alternative rock (1980–2010) (2015)After the Great Divide (1986)Time Passages: Collective Memory and American Popular Culture. (1991)Theories of social remembering (2003)‘It’s a man’s man’s man’s world’: Music groupies and the othering of women in the world of rock (2017)Musical genius and/or nasty piece of work? Dealing with violence and sexual assault in accounts of popular music’s past (2018)Sexual harassment and violence at Australian music festivals: Reporting practices and experiences of festival attendees (2020)Distinction: A Social Critique of the Judgement of Taste. (1985)Questions of Cultural Identity (1997)Distinction: A Social Critique of the Judgement of Taste* (2018)Authenticity, Empathy, and the Creative Imagination (2021)Empowering the Portfolio Musician: Innovative Chamber Music Pedagogy for the 21st-Century Artist (2022)Transactional Culture of the Portfolio Career Chamber Musician: A Case Study (2022)Producing Artistic Value: The Case of Rock Music (1994)Classification as Culture: Types and Trajectories of Music Genres (2008)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Phonology and Syntax: The Relation between Sound and Structure (1984)Flow: The Psychology of Optimal Experience (1991)Phenomenology of Perception (2013)The Cambridge Companion to Rhythm (2020)Rhythmic Techniques in Deaf Hip Hop (2021)Segmentation, Phrasing, and Meter in Hip-Hop Music (2021)Style and music: theory, history, and ideology (1990)Music genres and corporate cultures (2000)Music Theory and the White Racial Frame (2020)Embodied Expression in Popular Music (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2011Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture61 cited
  • 2007Ethno-National Pop-Rock Music59 cited
  • 2019Flow50 cited
  • 2020Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980–91: Part one 1980–85148 cited
  • 2008Clara Schumann's collection of playbills: A historiometric analysis of life-span development, mobility, and repertoire canonization47 cited
  • 2010Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince27 cited
  • 2013History without royalty? Queen and the strata of the popular music canon24 cited
  • 2013Re-enacting process: temporality, historicity and the Women’s Liberation Music Archive22 cited
  • 2013Locating the canon in Tamworth: historical narratives, cultural memory and Australia's ‘Country Music Capital’18 cited
  • 2023"Guitar Thinking" and "Genre Thinking" among an Online Community of Guitarists15 cited
  • 2014La nostalgie construite13 cited
  • 2015Play It Again: Rock Music Reissues and the Production of the Past for the Present11 cited
  • 2012Transgender Tribute Bands and the Subversion of Male Rites of Passage through the Performance of Heavy Metal Music11 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2014
¿Autonomía, sumisión o hibridación sonora? La construcción del canon estético del pop-rock español
10 cited
  • 2013When alternative ends up as mainstream: Slovene popular music as cultural heritage9 cited
  • 2023Rock Guitar Virtuosos7 cited