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‘Shaped like a question mark’: found poetry from Herbert Blau'sThe Audience
9 references·2 citing·37 second hop
‘Shaped like a question mark’: found poetry from Herbert Blau'sThe Audience (2004)‘Shaped like a question mark’: found poet…The Craft, Practice, and Possibility of Poetry in Educational Research (2003)The Craft, Practice, and Poss…The question of quality and qualifications: Writing inferior poems as qualitative research (2002)The question of quality and q…Artful Portrayals in Qualitative Inquiry: The Road to Found Poetry and Beyond (2002)Artful Portrayals in Qualitat…The art of writing inquiry (2001)The art of writing inquiryFields of Play: Constructing an Academic Life. (1998)Fields of Play: Constructing …That Rare Feeling: Re-presenting Research Through Poetic Transcription (1997)That Rare Feeling: Re-present…The Audience: Subjectivity, Community and the Ethics of Listening (1993)The Audience: Subjectivity, C…Theatre audiences: a theory of production and reception (1990)Theatre audiences: a theory o…Theatre Audiences: A Theory of Production and Reception (1990)Theatre Audiences: A Theory o…Transforming Data into Poems: Poetic Inquiry Practices for Social and Human Sciences (2020)Transforming Data into Poems:…ASTONISHING WONDER: SPIRITUALITY AND POETRY IN EDUCATIONAL RESEARCH (2007)ASTONISHING WONDER: SPIRITUAL…Experience and nature. (1929)Tales of the Field: On Writing Ethnography (1992)Making sense of qualitative data (1996)From Interview Transcript to Interpretive Story: Part 1—Viewing the Transcript through Multiple Lenses (2000)Reproducing or constructing? Some questions about transcription in social research (2010)Multi-paradigmatic Transformative Research as/for Teacher Education: An Integral Perspective (2011)The Savage Mind. (1967)Handbook of Qualitative Research (1994)Writing: A Method of Inquiry (2004)Found Poetry as Literature Review (2006)Research Acts in Art Practice (2006)“Poem is What?” Poetic Inquiry in Qualitative Social Science Research (2009)Frames of Mind: The Theory of Multiple Intelligences (1984)The power of visual approaches in qualitative inquiry: The use of collage making and concept mapping in experiential research (2009)The Enlightened Eye (2010)Oral Literature in Africa (2012)Handbook of arts-based research (2020)Competition and Collaboration in Higher Education: An (Auto)Ethnographic Poetic Inquiry (2023)8 Decolonizing Methodologies: Research and Indigenous Peoples (2024)Making the Case for Poetic Representations: An Example in Action (2007)Telling stories: Exploring research storytelling as a meaningful approach to knowledge mobilization with Indigenous research collaborators and diverse audiences in community‐based participatory research (2012)Researchers under the spell of the arts: Two decades of using arts-based methods in community-based inquiry with vulnerable populations (2017)The Anthropology of Theater and Spectacle (1993)Stage Fright, Animals, and Other Theatrical Problems (2006)The Cambridge Introduction to Theatre Studies (2008)Reflexive Accounts and Accounts of Reflexivity in Qualitative Data Analysis (2003)The Discipline and Practice of Qualitative Research (2005)Validity in qualitative research revisited (2006)The Accident and the Account: Towards a Taxonomy of Spectatorial Witness in Theatre and Performance Studies (2009)The Politics and Poetics of Listening: Attending Headphone Verbatim Theatre in Post-Cronulla Australia (2014)Theorizing Sound Writing (2017)Impact of Arts-Related Activities on the Perceived Quality of Life (2008)From arts marketing to audience enrichment: How digital engagement can deepen and democratize artistic exchange with audiences (2016)What influences the purchase of virtual gifts in live streaming in China? A cultural context‐sensitive model (2021)Being Brave: Writing Environmental Education Research Texts (2002)Writing the queer self: Using autobiography to mediate inclusive teacher education in Canada (2006)Utopian Performatives and the Social Imaginary: Toward a New Philosophy of Drama/Theater Education (2011)
this work references cited by second hop

References

  • 1998Fields of Play: Constructing an Academic Life.968 cited
  • 1997That Rare Feeling: Re-presenting Research Through Poetic Transcription526 cited
  • 1990Theatre Audiences: A Theory of Production and Reception394 cited
  • 1990Theatre audiences: a theory of production and reception269 cited
  • 2003The Craft, Practice, and Possibility of Poetry in Educational Research237 cited
  • 2002Artful Portrayals in Qualitative Inquiry: The Road to Found Poetry and Beyond218 cited
  • 2002The question of quality and qualifications: Writing inferior poems as qualitative research154 cited
  • 2001The art of writing inquiry42 cited
  • 1993The Audience: Subjectivity, Community and the Ethics of Listening28 cited

Cited by

  • 2020Transforming Data into Poems: Poetic Inquiry Practices for Social and Human Sciences21 cited
  • 2007ASTONISHING WONDER: SPIRITUALITY AND POETRY IN EDUCATIONAL RESEARCH6 cited

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