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At home and abroad with cine enthusiasts: Regional amateur filmmaking and visualizing the Mediterranean, ca. 1928–1962.
16 references·2 citing·33 second hop
At home and abroad with cine enthusiasts: Regional amateur filmmaking and visualizing the Mediterranean, ca. 1928–1962. (2004)At home and abroad with cine enthusiasts:…Snapshot Versions of Life (2008)Snapshot Versions of LifeThe tourist gaze (2002)The tourist gazePicturing Empire: Photography and the Visualization of the British Empire (1999)Picturing Empire: Photography…Looking for the Other: Feminism, Film and the Imperial Gaze (1997)Looking for the Other: Femini…Family Frames: Photography, Narrative and Postmemory (1997)Family Frames: Photography, N…The Railway Journey: The Industrialization of Time and Space in the 19th Century (1996)The Railway Journey: The Indu…The beaten track: European tourism, literature, and the ways to culture, 1800-1918 (1994)The beaten track: European to…Window shopping: cinema and the postmodern (1993)Window shopping: cinema and t…Window Shopping (1993)Window ShoppingThe Beaten Track (1993)The Beaten TrackImperial Eyes: Travel Writing and Transculturation. (1993)Imperial Eyes: Travel Writing…Photography: a middle-brow art (1991)Photography: a middle-brow artVisual Pleasure and Narrative Cinema (1989)Visual Pleasure and Narrative…The Mediterranean Passion: Victorians and Edwardians in the South (1987)The Mediterranean Passion: Vi…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Staged Authenticity: Arrangements of Social Space in Tourist Settings (1973)Staged Authenticity: Arrangem…Amateur, professional and proto‐practices: a contribution to ‘the proficiency debate’ (2016)Amateur, professional and pro…A Commonplace Art? Understanding Amateur Media Production (2009)A Commonplace Art? Understand…The Social System (1951)The Presentation of Self in Everyday Life. (1956)Studies in Ethnomethodology. (1968)A Phenomenology of Tourist Experiences (1979)Authenticity and commoditization in tourism (1988)Rethinking authenticity in tourism experience (1999)Photovoice Ethics: Perspectives from Flint Photovoice (2001)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)The Birth of the 'Kodak Moment': Institutional Entrepreneurship and the Adoption of New Technologies (2005)Performing tourism, staging tourism (2001)Motion picture impacts on destination images (2003)Developing creativity in tourist experiences: A solution to the serial reproduction of culture? (2005)Editorial: Mobilities, Immobilities and Moorings (2006)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The Visual Dimension in Organizing, Organization, and Organization Research: Core Ideas, Current Developments, and Promising Avenues (2013)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Voices of Modernity (2003)Multispecies Studies (2016)Translation, Rewriting, and the Manipulation of Literary Fame (2016)The Practice Turn in Contemporary Theory (2005)The Handbook of Journalism Studies (2009)A World of Standards but not a Standard World: Toward a Sociology of Standards and Standardization (2010)Walking in the British Countryside: Reflexivity, Embodied Practices and Ways to Escape (2000)Cultures of Cosmopolitanism (2002)Postcolonial Writers in the Global Literary Marketplace (2007)The Listening Subject of Japanese Modernity and His Auditory Double: Citing, Sighting, and Siting the Modern Japanese Woman (2003)Mirrors of Masculinity: Representation and Identity in Advertising Images (2004)Personal Fashion Blogs: Screens and Mirrors in Digital Self-portraits (2011)I'd like to buy the world a coke: Consumptionscapes of the “less affluent world” (1996)Postfeminist Television Criticism: Rehabilitating Critical Terms and Identifying Postfeminist Attributes (2001)Notes to self: the visual culture of selfies in the age of social media (2015)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1993Imperial Eyes: Travel Writing and Transculturation.4,974 cited
  • 1973Staged Authenticity: Arrangements of Social Space in Tourist Settings3,359 cited
  • 1997Family Frames: Photography, Narrative and Postmemory2,318 cited
  • 2002The tourist gaze2,163 cited
  • 1991Photography: a middle-brow art1,059 cited
  • 1993Window Shopping822 cited
  • 1993The Beaten Track752 cited
  • 1989Visual Pleasure and Narrative Cinema688 cited
  • 1996The Railway Journey: The Industrialization of Time and Space in the 19th Century667 cited
  • 2008Snapshot Versions of Life645 cited
  • 1993Window shopping: cinema and the postmodern607 cited
  • 1997Looking for the Other: Feminism, Film and the Imperial Gaze498 cited
  • 1994The beaten track: European tourism, literature, and the ways to culture, 1800-1918380 cited
  • 1999Picturing Empire: Photography and the Visualization of the British Empire283 cited
  • 1987The Mediterranean Passion: Victorians and Edwardians in the South275 cited

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Cited by

  • 2009A Commonplace Art? Understanding Amateur Media Production24 cited
  • 2016Amateur, professional and proto‐practices: a contribution to ‘the proficiency debate’6 cited