SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Jonathan Richardson : Art Theorist of the English Enlightenment.
0 references·10 citing·41 second hop
Jonathan Richardson : Art Theorist of the English Enlightenment. (2000)Jonathan Richardson : Art Theorist of the…Piranesi's Candelabra and the Presence of the Past (2023)Piranesi's Candelabra and the…Super-size caricature: Thomas Rowlandson's Place de Victoires at the Society of Artists in 1783 (2016)Super-size caricature: Thomas…Works of Art That Refuse to Behave: Agency, Excess, and Material Presence in Canova and Manet (2015)Works of Art That Refuse to B…Sir Hans Sloane’s Pictures: The Science of Connoisseurship or the Art of Collecting? (2015)Sir Hans Sloane’s Pictures: T…Mastering the Connoisseur's Eye: Paintings, Criticism, and the Canon in Dutch and Flemish Travel Culture, 1600-1750 (2012)Mastering the Connoisseur's E…Les formes de l'expertise artistique en Europe (XIVe-XVIIIe siècle) (2011)Les formes de l'expertise art…Experiment, Theory, Representation: Robert Hooke’s Material Models (2010)Experiment, Theory, Represent…Du « nouveau connoisseurship » à l’histoire de l’art Original et autographie en peinture (2010)Du « nouveau connoisseurship …Beyond Mimesis and Convention (2010)Beyond Mimesis and ConventionHandel at Drury Lane: Ballad Opera and the Production of Kitty Clive (2006)Handel at Drury Lane: Ballad …The Materiality of the Shakespearean Text (1993)The "Divine" Guido: religion, sex, money and art in the world of Guido Reni (1998)Patriotic taste: collecting modern art in pre-revolutionary Paris (2003)Cultura, História, valores patrimoniais e museus (2011)Artworks without names: an insight into the market for anonymous paintings (2019)The Evolution of Authenticity and the Integration of Philosophical Tools for its Determination (2022)La certification de la valeur de l'art. Experts et expertises (1993)La formation de la pratique scientifique (1996)La vie de laboratoire: la production des faits scientifiques (1997)Sociology of Mass Communication (1985)The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660-1769. (1994)Handel's Oratorios and Eighteenth-Century Thought (1995)Fielding and Italian Opera (2009)From Amelia to Calista and Beyond: Sentimental Heroines, ‘Fallen’ Women and Handel’s Oratorio Revisions for Susanna Cibber (2015)Ways to Possess a Singer in 1830s London (2017)The grand tour (1985)The Pleasures of the Imagination: English Culture in the Eighteenth Century (1998)Beyond the Cultural Turn: New Directions in the Study of Society and Culture (2000)Flower Garlands in the Flemish Painting of the XVII Century (2020)Reproduction Sculpture in Dutch Genre Painting of the Second Half of the 17th Century (2022)Mimesis as Make-Believe: On the Foundations of the Representational Arts. (1993)Art and Agency: An Anthropological Theory (1999)Cours de philosophie positive (2002)Sir Hans Sloane : collector, scientist, antiquary, founding father of the British Museum (1994)Merchants & marvels : commerce, science, and art in early modern Europe (2002)Enlightenment: Discovering the World in the Eighteenth Century (2003)Naming and Necessity (1972)Minds, brains, and programs (1980)Mental Models (1983)Models Among the Political Theorists (2014)Aesthetic values in science (2017)Imagination in science (2022)Implicit Meanings, Essays in Anthropology (1975)Implicit Meanings: Essays in Anthropology. (1977)City of laughter: sex and satire in eighteenth-century London (2007)An Experimental Study of Apparent Behavior (1944)Does the chimpanzee have a theory of mind? (1978)The Social Life of Things: Commodities in Cultural Perspective (1988)The Essential Tension (1977)Representing and Intervening (1983)Image and logic: a material culture of microphysics (1998)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2010Beyond Mimesis and Convention75 cited
  • 2010Du « nouveau connoisseurship » à l’histoire de l’art Original et autographie en peinture20 cited
  • 2006Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive18 cited
  • 2011Les formes de l'expertise artistique en Europe (XIVe-XVIIIe siècle)11 cited
  • 2010Experiment, Theory, Representation: Robert Hooke’s Material Models9 cited
  • 2012Mastering the Connoisseur's Eye: Paintings, Criticism, and the Canon in Dutch and Flemish Travel Culture, 1600-17506 cited
  • 2015Works of Art That Refuse to Behave: Agency, Excess, and Material Presence in Canova and Manet6 cited
  • 2015Sir Hans Sloane’s Pictures: The Science of Connoisseurship or the Art of Collecting?5 cited
  • 2023Piranesi's Candelabra and the Presence of the Past2 cited
  • 2016Super-size caricature: Thomas Rowlandson's Place de Victoires at the Society of Artists in 17831 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work