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Cited by

• 2002The Gang's All Here: Generic versus Racial Integration in the 1940s Musical by Sean Griffin69 cited
• 2015From (new)media to (hyper)mediations. Recovering Jesús Martín-Barbero's mediation theory in the age of digital communication and cultural convergence57 cited
• 2015Radio and the Gendered Soundscape: Women and Broadcasting in Argentina and Uruguay, 1930–195028 cited
• 2006Reconceptualizing Screen Performance24 cited
• 2011“Have Women a Sense of Humor?”: Comedy and Femininity in Early Twentieth-Century Film19 cited
• 2006The Cinema of Attractions Reloaded17 cited
• 2015DOUBLE-VOICED: MUSIC, GENDER, AND NATURE IN PERFORMANCE14 cited
• 2016Funnypeculiar: Lucille Ball and the vaudeville heritage of early American television comedy11 cited
• 2012‘If we cannot laugh like that, then how can we laugh?’: The ‘problem’ of Stalinist film comedy7 cited
• 1999Manufacturing the American child: child‐rearing and the rise of Walt Disney7 cited
• 1998Class markers in the mass movie audience: A case study in the cultural geography of moviegoing, 1926‐19327 cited
• 2015‘A Very Good Act for an Unimportant Place’3 cited