The Cinema of Attractions Reloaded

Abstract

First of all, I wish to thank Tom Gunning and André Gaudreault for their enthusiastic response to this commemorative book project, for their confidence and their inspiration, and for their willingness to participate.My gratitude also goes to Thomas Elsaesser with whom I had the opportunity to regularly brainstorm on film historiographical issues over the last four years at the University of Amsterdam and who promptly accepted to add this anthology to his series of "Film Culture in Transition."Furthermore, I am grateful to all the contributors, whose positive reactions and often intense e-mail discussions kept me persevering in this long venture.One of the real challenges of this project was to bring together scholars from both sides of the Atlantic and to bridge the gap between the Anglo-Saxon and Francophone worlds.A special thanks goes to

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 17 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.