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The musical field
7 references·16 citing·37 second hop
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References

  • 2000Music in Everyday Life2,710 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 1996Performing Rites1,123 cited
  • 1988Music and Society: The Politics of Composition, Performance and Reception.596 cited
  • 2000Rap music and the poetics of identity499 cited
  • 1996Popular Music and Society256 cited
  • 2002Music and everyday life179 cited

Cited by

  • 2008Cultural capital today287 cited
  • 2009La « tablature » des goûts musicaux : un modèle de structuration des préférences et des jugements91 cited
  • 2015Subcultural escapades via music consumption: Identity transformations and extraordinary experiences in Dionysian music subcultures70 cited
  • 2014Social Spaces of Music: Introduction70 cited
  • 2011Metal Studies? Cultural Research in the Heavy Metal Scene67 cited
  • 2016Music classification, genres, and taste patterns: A ground-up network analysis on the clustering of artist preferences67 cited
  • 2013Exploring Musical Preferences: An In-Depth Qualitative Study of Adults' Liking for Music in Their Personal Collections65 cited
  • 2018Translocality, Network Structure, and Music Worlds: Underground Metal in the United Kingdom

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62 cited
  • 2018Categorical ambiguity in cultural fields: The effects of genre fuzziness in popular music50 cited
  • 2021Collaborating in Isolation: Assessing the Effects of the Covid-19 Pandemic on Patterns of Collaborative Behavior Among Working Musicians48 cited
  • 2012Impact of place on museum participation45 cited
  • 2022Rationales and functions of disliked music: An in-depth interview study44 cited
  • 2021The promise of personalisation: Exploring how music streaming platforms are shaping the performance of class identities and distinction42 cited
  • 2016Linking Social Capital, Cultural Capital and Heterotopia at the Folk Festival34 cited
  • 2013The Hidden Dimensions of the Musical Field and the Potential of the New Social Data33 cited
  • 2016Post-Bourdieusian Moments and Methods in Music Sociology: Toward a Critical, Practice-Based Approach32 cited