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Carte de Séjour: revisiting ‘Arabness’ and anti-racism in 1980s France
16 references·2 citing·29 second hop
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References

  • 1984Of Mimicry and Man: The Ambivalence of Colonial Discourse1,847 cited
  • 20193. Of Mimicry and Man: The Ambivalence of Colonial Discourse1,213 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 2002Declining the Stereotype: Ethnicity and Representation in French Cultures232 cited
  • 2006Beyond Subculture: Pop, Youth and Identity in a Postcolonial World196 cited
  • 1999Identity, Insecurity and Image: France and Language172 cited
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  • 2004Popular Music in Contemporary France: Authenticity, Politics, Debate81 cited
  • 2005Re‐flections on the Cover Age: A Collage of Continuous Coverage in Popular Music72 cited
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  • 2003Mediterranean mosaic: popular music and global sounds32 cited
  • 2009Protest Music in France: Production, Identity and Audiences Protest Music in France: Production, Identity and Audiences. By B arbara L ebrun . Farnham: Ashgate, 2009. x + 192 pp. Hb £50.00.

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Cited by

  • 2015“Douce France” par Carte de Séjour. Le cri du “Beur” ?6 cited
  • 2019Performingl-ḥrig: music, sound and undocumented migration across the contemporary Mediterranean (Morocco–Italy)3 cited