Mapping the Beat: Popular Music and Contemporary Theory

Abstract

Part I: Noise, Performance and the Politics of Sound:1. Mapping the Beat: The Space of Noise and the Place of Music: Andrew Herman (Drake University), Thomas Swiss (Drake University) and John Sloop (Vanderbilt University).2. Not The Same: Race, Repetition and Difference in Hip-Hop: Russell Potter (Rhode Island College).3. Kick Out the Jams!: The MC5 and the Politics of Noise: Steve Waksman (University of Minnesota).5. Queers, Punks, and Alternative Acts: Cynthia Fuchs (George Mason University).Part II: History, Technology and Policy:6. Drumming and Memory: Scholarship, Technology, and Music-Making: Andrew Goodwin (University of San Fransisco).7. The History of Rock's Pasts through Rock Covers: Deena Weinstein (DePaul University).8. Repressive Representations: Patriarchy and Femininity in Rock Music of the Counterculture: Sheila Whitely (Salford University).9. Popular Music and the Synergy of Corporate Culture: David Sanjek (Broadcast Music, Inc).10. Fields of Practice: Musical Production, Public Policy, and the Market: Holly Kruse (La Salle University).Part III: Location and Movement in the Spaces of Popular Music:11. Crossing Over: Selena's Tejana Music and the Discourse of Borderlands: Ramona Liera-Schwichtenberg (Wichita State University).12. Yo Quiero Mi MTV: Making Music Television for Latin America: Robert Hanke (Journalist).13. Studying Rock: Towards a Materialist Ethnography: Tony Kirschner (University of Illinois).14. Everybody Loves Our Town: Scenes and Spatialization: Mark Olson (University of North Carolina).15. Negativeland, Outlaw Judgements, and the Politics of Cyberspace: Andrew Herman (Drake University) and John Sloop (Vanderbilt University).Index.

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