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Mapping the Beat: Popular Music and Contemporary Theory
0 references·16 citing·57 second hopsampled
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  • 2000Henna and Hip Hop: The Politics of Cultural Production and the Work of Cultural Studies152 cited
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  • 2000Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space133 cited
  • 2004The ‘Failure’ of Youth Culture103 cited
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  • 1998Theorizing Masculinity With/In the Media91 cited
  • 2010I Did It My Way: Rock and the Logic of Covers88 cited
  • 2000The effects of the study of popular music on music education79 cited
  • 2020Organizing music, organizing gender: algorithmic culture and Spotify recommendations78 cited
  • 2016The Cambridge Companion to Percussion73 cited
  • 2005Re‐flections on the Cover Age: A Collage of Continuous Coverage in Popular Music72 cited
  • 2009Spaces and Networks of Musical Creativity in the City70 cited
  • 2005Recording Studios: Relational Spaces of Creativity in the City65 cited
  • 2004When politics goes pop: on the intersections of popular and political culture and the case of Serbian student protests

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44 cited
  • 2004Sisterdjsin the House: Electronic/Dance Music and Women-Centered Spaces on the Net38 cited