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Audiovisual Redundancy and Remediation in Ninja bugeichō
5 references·0 citing·14 second hop
Audiovisual Redundancy and Remediation in Ninja bugeichō (2012)Audiovisual Redundancy and Remediation in…Anime's media mix: franchising toys and characters in Japan (2012)Anime's media mix: franchisin…The anime machine: a media theory of animation (2010)The anime machine: a media th…Forest of pressure: Ogawa Shinsuke and postwar Japanese documentary (2007)Forest of pressure: Ogawa Shi…Towards the feminine sublime, or the story of 'a twinkling monad, shape-shifting across dimension': intermediality, fantasy and special effects in cyberpunk film and animation (2002)Towards the feminine sublime,…To the Distant Observer: Form and Meaning in the Japanese Cinema (1981)To the Distant Observer: Form…A Thousand Plateaus: Capitalism and Schizophrenia (1989)Life on the Screen: Identity in the Age of the Internet (1997)The Language of New Media (2002)Doubleness and idiosyncrasy in cross‐cultural analysis (1991)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)Cinema of actuality: Japanese avant-garde filmmaking in the season of image politics (2014)Animation: The New Performance? (2010)Animation and Automation – The Liveliness and Labours of Bodies and Machines (2012)The Soul of Anime: Collaborative Creativity and Japan's Media Success Story (2014)Introduction to Matsumoto Toshio: A Theory of Avant-Garde Documentary (2012)Contemporary Japanese Cinema Since Hana-Bi (2015)Archaeology of a Medium: The (Agri)Cultural Techniques of a Paddy Film Farm (2022)Cool, Creepy, Moé: Otaku Fictions, Discourses, and Policies (2014)World Building. Transmedia, Fans, Industries (2017)
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References

  • 2010The anime machine: a media theory of animation435 cited
  • 1981To the Distant Observer: Form and Meaning in the Japanese Cinema223 cited
  • 2012Anime's media mix: franchising toys and characters in Japan153 cited
  • 2007Forest of pressure: Ogawa Shinsuke and postwar Japanese documentary66 cited
  • 2002Towards the feminine sublime, or the story of 'a twinkling monad, shape-shifting across dimension': intermediality, fantasy and special effects in cyberpunk film and animation18 cited

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