References

No references inside the corpus for this window.

Cited by

• 2012Discourses of unity and purpose in the sounds of fascist music: a multimodal approach73 cited
• 2002World Music at the "End of History"47 cited
• 2006“Everybody Step”: Irving Berlin, Jazz, and Broadway in the 1920s45 cited
• 2019Performing Lieder, Hearing Race: Debating Blackness, Whiteness, and German Identity in Interwar Central Europe45 cited
• 2002Writing Liszt: Lina Ramann, Marie Lipsius, and early musicology144 cited
• 2014Evolutionary Categories and Musical Style from Adler to America44 cited
• 2009Richard Wagner's “Jewish Music”: Antisemitism and Aesthetics in Modern Jewish Culture40 cited
• 2007Dismantling a Dystopia: On the Historiography of Music in the Third Reich26 cited
• 2013THE MODERN INVENTION OF THE ‘TENORLIED’: A HISTORIOGRAPHY OF THE EARLY GERMAN LIED SETTING25 cited
• 2012‘Too much music’: the media of opera16 cited
• 2011Appendix: Fundamental Issues of Musical Listening (1925)14 cited
• 2012Introduction: opera studies today11 cited
• 2001Musicology in the "Third Reich": A Preliminary Report8 cited
• 2004"Friese im Innern": Strauss's Public and Private Worlds in the Mis 1930's7 cited