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‘The phantom of the Opera’: the lost voice of opera in silent film
16 references·15 citing·27 second hop
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this work references cited by second hop

References

  • 1984Powers of Horror: An Essay on Abjection7,345 cited
  • 1977Image-Music-Text3,641 cited
  • 1988Unheard melodies: narrative film music1,038 cited
  • 1989The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema902 cited
  • 1983The Imaginary Signifier: Psychoanalysis and the Cinema838 cited
  • 1984On Deconstruction. Theory and Criticism after Structuralism815 cited
  • 1993The queen's throat: opera, homosexuality, and the mystery of desire759 cited
  • 1982Psychoanalysis and Cinema749 cited
  • 19944 From The Birth of Tragedy (1872)712 cited
  • 1967What is cinema602 cited
  • 1991Unsung Voices: Opera and Musical Narrative in the Nineteenth Century583 cited
  • 1974The World Viewed: Reflections on the Ontology of Film.483 cited
  • 1972The World Viewed. Reflections on the Ontology of Film.437 cited
  • 1983On Deconstruction: Theory and Criticism After Structuralism413 cited
  • 1989The acoustic mirror: the female voice in psychoanalysis and cinema378 cited
  • 1993The New Grove dictionary of opera371 cited

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Cited by

  • 2012‘Too much music’: the media of opera16 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2003The Body and the Voice in La Muette de Portici13 cited
  • 2012Opera and modes of theatrical production12 cited
  • 2012Opera and the technologies of theatrical production12 cited
  • 2012Introduction: opera studies today11 cited
  • 2020Beyond Media Borders, Volume 211 cited
  • 2020Finding Meaning in Intermedial Gaps9 cited
  • 2012Genre and poetics8 cited
  • 2012Voices and singers6 cited
  • 2012Opera and gender studies5 cited
  • 2012The dramaturgy of opera5 cited
  • 2012‘An exotic and irrational entertainment’: opera and our others; opera as other4 cited
  • 2012The operatic work: texts, performances, receptions and repertories4 cited
  • 2012Opera, the state and society4 cited