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“Substream” recordings: Some shifts in stature and alterations in song
16 references·1 citing·32 second hop
“Substream” recordings: Some shifts in stature and alterations in song (1978)“Substream” recordings: Some shifts in st…The Nashville Sound: Bright Lights and Country Music (2015)The Nashville Sound: Bright L…Popular Music and Society (1996)Popular Music and SocietyMale and female roles in the lyrics of three genres of contemporary music (1978)Male and female roles in the …Solo female vocalists: Some shifts in stature and alterations in song (1977)Solo female vocalists: Some s…Solid Gold: The Popular Record Industry. (1976)Solid Gold: The Popular Recor…Record Roulette: What Makes It Spin? (1975)Record Roulette: What Makes I…Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …Art Photography in America (1975)Art Photography in AmericaContemporary popular music: Directions for further research (1973)Contemporary popular music: D…Great Day Coming: Folk Music and the American Left (1972)Great Day Coming: Folk Music …The One Dimensional Approach to Popular Music: A Research Note (1971)The One Dimensional Approach …Great day coming; folk music and the American left (1971)Great day coming; folk music …Problems in Analyzing Elements of Mass Culture: Notes on the Popular Song and Other Artistic Productions (1970)Problems in Analyzing Element…Country music : white man's blues (1970)Country music : white man's b…Changing Courtship Patterns in the Popular Song (1969)Changing Courtship Patterns i…The Dialogue of Courtship in Popular Songs (1957)The Dialogue of Courtship in …Country and soul hits: Manufacturer strategies and crossover characteristics (1979)Country and soul hits: Manufa…Content Analysis in Communication Research. (1952)A cognitive-development analysis of children's sex-role concepts and attitudes (1966)Tally's Corner: A Study of Negro Streetcorner Men. (1968)Women in popular music: A quantitative analysis of feminine images over time (1985)Girl in a Country Song: Gender Roles and Objectification of Women in Popular Country Music across 1990 to 2014 (2016)Tuning Gender (2016)The Structure of Scientific Revolutions (1963)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems (1972)Content Analysis in Consumer Research (1977)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)The Implications of Ownership Changes on Concentration and Diversity in the Phonogram Industry (1992)How Do Cultural Producers Make Creative Decisions? Lessons from the Catwalk (2009)Empire of Dirt: The Aesthetics and Rituals of British Indie Music (2013)John Lennon, “Revolution,” and the Politics of Musical Reception (2005)A learning framework for the small business environment (2006)Invisible republics and secret histories: A politics of music (2000)The voice of southern labor: radio, music, and textile strikes, 1929-1934 (2005)Why is Music So Ideological, and Why Do Totalitarian States Take It So Seriously? A Personal View from History and the Social Sciences (2007)Preoccupations and Behaviors Associated with Romantic and Parental Love: Perspectives on the Origin of Obsessive-Compulsive Disorder (1999)Mass Communication and Para-Social Interaction: Observations on Intimacy at a Distance (2015)Popular Culture as Oppositional Culture: Rap as Resistance (1997)The Cambridge History of American Music (1998)The musical field (2006)Popular song and popular music on stage and film (1998)Music and Social Movements (2010)Genre and recalcitrance: Country music's move uptown (1988)Heart of the Country? The Construction of Nashville as the Capital of Country Music (2014)Redneck Chic (2020)
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References

  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 1996Popular Music and Society256 cited
  • 1957The Dialogue of Courtship in Popular Songs116 cited
  • 1976Solid Gold: The Popular Record Industry.114 cited
  • 1969Changing Courtship Patterns in the Popular Song103 cited
  • 1972Great Day Coming: Folk Music and the American Left68 cited
  • 1971Great day coming; folk music and the American left52 cited
  • 1970Problems in Analyzing Elements of Mass Culture: Notes on the Popular Song and Other Artistic Productions46 cited
  • 2015The Nashville Sound: Bright Lights and Country Music45 cited
  • 1978Male and female roles in the lyrics of three genres of contemporary music44 cited
  • 1975Record Roulette: What Makes It Spin?34 cited
  • 1971The One Dimensional Approach to Popular Music: A Research Note27 cited
  • 1977Solo female vocalists: Some shifts in stature and alterations in song21 cited
  • 1973Contemporary popular music: Directions for further research17 cited
  • 1970Country music : white man's blues11 cited
  • 1975Art Photography in America

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  • 1979Country and soul hits: Manufacturer strategies and crossover characteristics4 cited