Tessituras do excesso: notas iniciais sobre o conceito e suas implicações tomando por base um Procedimento operacional padrão

Abstract

This article intends to conceptualize excess as both stylistic element and cultural matrix, establishing its implications for cinematic and audiovisual culture. Excess is here articulated with some affective engagement strategies that are constructed by different genres and oeuvres. Therefore, the concept is related to what we define as a sensational pedagogy (central to the crystallization and strengthening of the modernity project) and to the body genres. In order to grasp the concept, we will focus on the film Standard operating procedure (Errol Morris, 2008).

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