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Aspects of Rhythm in Webern's Atonal Music
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Aspects of Rhythm in Webern's Atonal Music (1980)Aspects of Rhythm in Webern's Atonal MusicThe Subconscious Language of Musical Time (1979)The Subconscious Language of …Allen Forte's Contribution to Music Theory (2015)Allen Forte's Contribution to…Rhythm in twentieth-century theory (2002)Rhythm in twentieth-century t…An Octatonic Essay by Webern: No. 1 of the "Six Bagatelles for String Quartet," Op. 9 (1994)An Octatonic Essay by Webern:…Twentieth-Century Analysis during the Past Decade: Achievements and New Directions (1989)Twentieth-Century Analysis du…The State of Research in Twelve-Tone and Atonal Theory (1989)The State of Research in Twel…The Rhythms of Form: Correspondence and Analogy in Stravinsky's Designs (1987)The Rhythms of Form: Correspo…A Theory of Twelve-Tone Meter (1984)A Theory of Twelve-Tone MeterForeground Rhythm in Early Twentieth-Century Music (1983)Foreground Rhythm in Early Tw…The Rhythmic Structure of Music (1961)Perspectives of New Music (1963)Exploring Time Cross-Culturally: Ideology and Performance of Time in the Sufi Qawwālī (1994)Temporalities of North Indian Classical Listening: How Listeners Use Music to Construct Time (2021)Philosophizing Time in Sinitic Opera (2023)Problems of Pitch Organization in Stravinsky (1963)Stravinsky and The rite of spring: the beginnings of a musical language (1988)Debussy and the Octatonic (1991)A Similarity Index for Pitch-Class Sets (1979)Relating Sets (1979)The Problem of Prolongation in Post-Tonal Music (1987)Stravinsky: The Progress of a Method (1962)Music, the Arts and Ideas: Patterns and Predictions in Twentieth-Century Culture (1968)Beyond Orpheus: Studies in Musical Structure (1979)The Synthesis of Rhythms: Form, Ideology, and the “Augurs of Spring” (2007)The Music of Pavel Haas (2020)The Concept of Meter: An Exercise in Abstraction (1959)The Structure of Atonal Music (1974)The Stratification of Musical Rhythm (1977)Metric Manipulations in Post-Tonal Music (2020)Schenker's Conception of Musical Structure (1959)The Structure of Atonal Music (1973)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)The Rhythmic Structure of Music (1962)The Stratification of Musical Rhythm (1976)Structural Functions in Music (1977)Emotion and Meaning in Music (1961)PHENOMENOLOGY OF PERCEPTION (1963)Phenomenology of Perception. (1964)Segmentation and Process in Post-Tonal Music (1981)Variety and Multiplicity in Diatonic Systems (1985)Composition With Pitch-Classes (1987)Simetria intervalar e rede de coleções: análise estrutural dos Choros nº 4 e Choros nº 7 de Heitor Villa-Lobos (2014)
this work references cited by second hop

References

  • 1979The Subconscious Language of Musical Time19 cited

Cited by

  • 1987The Rhythms of Form: Correspondence and Analogy in Stravinsky's Designs13 cited
  • 1984A Theory of Twelve-Tone Meter11 cited
  • 1989The State of Research in Twelve-Tone and Atonal Theory10 cited
  • 1983Foreground Rhythm in Early Twentieth-Century Music9 cited
  • 2002Rhythm in twentieth-century theory9 cited
  • 1989Twentieth-Century Analysis during the Past Decade: Achievements and New Directions5 cited
  • 1994An Octatonic Essay by Webern: No. 1 of the "Six Bagatelles for String Quartet," Op. 95 cited
  • 2015Allen Forte's Contribution to Music Theory2 cited

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