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From Byzantine to post-Byzantine art: the painting technique of St Stephen's wall paintings at Meteora, Greece
14 references·16 citing·36 second hop
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References

  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 1985Conservation of Wall Paintings151 cited
  • 2005Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico133 cited
  • 1999Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry127 cited
  • 2000GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts107 cited
  • 2005In situ analysis of mediaeval wall paintings: a challenge for mobile Raman spectroscopy104 cited
  • 2000Panselinos’ Byzantine wall paintings in the Protaton Church, Mount Athos, Greece: a technical examination83 cited
  • 1996Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings83 cited
  • 2001Imaging Microspectroscopic, Secondary Ion Mass Spectrometric and Electron Microscopic Studies on Discoloured and Partially Discoloured Smalt in Cross-sections of 16th Century Paintings79 cited
  • 2004Ciro Ferri’s frescoes: a study of painting materials and technique by SEM-EDS microscopy, X-ray diffraction, micro FT-IR and photoluminescence spectroscopy77 cited
  • 1999Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings73 cited
  • 2006Raman identification of green and blue pigments in Etruscan polychromes on architectural terracotta panels59 cited
  • 2002Characterisation of wall paintings in the Sos Furrighesos necropolis (Anela, Italy)

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56 cited
  • 1986The Conservation of Wall Painting53 cited
  • Cited by

    • 2009A study of smalt and red lead discolouration in Antiphonitis wall paintings in Cyprus47 cited
    • 2009Integrated analytical study for the authentication of five Russian icons (XVI–XVII centuries)36 cited
    • 2018Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings31 cited
    • 2010Byzantine wall paintings from Kastoria, northern Greece: Spectroscopic study of pigments and efflorescing salts31 cited
    • 2010Thermal, mineralogical and spectroscopic study of plasters from three post-Byzantine churches from Kastoria (northern Greece)30 cited
    • 2013A study on the painting techniques and materials of the murals in the Five Northern Provinces’ Assembly Hall, Ziyang, China26 cited
    • 2022Multi-analytical approach to the mural painting from an ancient tomb of Ming Dynasty in Jiyuan, China: Characterization of materials and techniques24 cited
    • 2015Unraveling the Reactivity of Minium toward Bicarbonate and the Role of Lead Oxides Therein22 cited
    • 2016Spectroscopic and mass spectrometric approach to define the Cyprus Orthodox icon tradition - The first known occurrence of Indian lac in Greece/Europe20 cited
    • 2009Analytical study of polychromy on exterior sculpted stone19 cited
    • 2020On the blue and green pigments of post‐Byzantine Greek icons19 cited
    • 2017Execution technique and pigment characteristics of Byzantine wall paintings of Anaia Church in Western Anatolia19 cited
    • 2012Gold Gilding and Pigment Identification on a Post-Byzantine Icon from Kastoria, Northern Greece17 cited
    • 2020Investigations of byzantine wall paintings in the abbey of Santa Maria di Cerrate (Italy) in view of their restoration16 cited
    • 2016Multi-analytical investigation into painting materials and techniques: the wall paintings of Abuna Yemata Guh church16 cited
    • 2020The altar wall paintings of the catholicon “The Nativity of the Virgin”, Rila Monastery, Bulgaria: Identification of the painting materials by means of vibrational spectroscopic techniques complemented by EDX, XRD and TGA analysis15 cited