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Role Playing and Identity: The Limits of Theatre as Metaphor.
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  • 2006A Theatre Acting Perspective on the Dramaturgical Metaphor and the Postmodern Self20 cited
  • 1991A Crucible for Actors: Questions of Directorial Ethics19 cited
  • 1998Disciplinary Violation as Gender Violation: The Stigmatized Masculine Voice of Performance Studies19 cited
  • 2015Reprogramming the Stage: A Heuristic for Posthuman Performance18 cited
  • 1993Ventriloquism: Ecstatic Exchange and The History of The Artwork17 cited
  • 2003Bridging the Performance Gap: The Body, Cognitive Theory, and Comedia Studies17 cited
  • 1991Empathy and the Ethics of Entitlement16 cited
  • 2005Truths and lies: exploring the ethics of performance applications13 cited
  • 2017Proto-Acting as a New Concept: Personal Mimicry and the Origins of Role Playing13 cited
  • 1990The Concept of the Paratheatrical12 cited
  • 2012The Final Act

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11 cited
  • 1996Beyond goffman: Some notes on life and theatre as art11 cited