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Feeling and Form; a Theory of Art Developed from Philosphy in a New Key.
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  • 2003Adorno on Popular Culture125 cited
  • 1995On the role of critics in the culture industry74 cited
  • 2010The Routledge International Handbook of English, Language and Literacy Teaching65 cited
  • 2014Towards a Theory of Performance Reception58 cited
  • 2013Extracting salient sublexical units from written texts: “Emophon,” a corpus-based approach to phonological iconicity50 cited
  • 2011Immersion Into Noise49 cited
  • 2012What Was Tragedy? The World We Have Lost, 1550–179532 cited
  • 2009“Berlin … Your Dance Partner Is Death”31 cited
  • 2018Organizational Actorhood and the Management of Paradox: A Visual Analysis30 cited
  • 1994Notes on the cultural significance of the sciences28 cited
  • 2011The Philosophy of Shinichi Suzuki: “Music Education as Love Education”25 cited
  • 2018A strategic approach to music listening with a mobile app for high school students24 cited
  • 1997Theories and Research That Support Art Instruction for Instrumental Outcomes22 cited
  • 2018The Relationship Between Music, Culture, and Society: Meaning in Music21 cited
  • 2015From Odd Encounters to a Prospective Confluence: Dance-Philosophy

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20 cited
  • 2016In Search of Liberated Time, or Schubert's Quartet in G Major, D. 887: Once More Between Sonata and Variation18 cited