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On Harmony and Meter in Brahms's Op. 76, No. 8
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On Harmony and Meter in Brahms's Op. 76, No. 8 (1981)On Harmony and Meter in Brahms's Op. 76, …End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression (2020)End-Accented Sentences: Towar…Meter Metrics (2015)Meter MetricsComposing Declamation (2015)Composing DeclamationMetrical Displacement and Metrically Dissonant Hemiolas (2013)Metrical Displacement and Met…Leonhard Euler’s Unfinished Theory of Rhythm (2013)Leonhard Euler’s Unfinished T…Thinking (and Singing) in Threes (2011)Thinking (and Singing) in Thr…Metric Cubes in Some Music of Brahms (2009)Metric Cubes in Some Music of…Metric Analysis and the Metaphor of Energy: A Way into Selected Songs by Wolf and Schoenberg (2008)Metric Analysis and the Metap…O n M etre in the R ondo of B rahms ’ s O p . 25 (2007)O n M etre in the R ondo of B…M etric D isplacement D issonance and R omantic L onging in the G erman L ied (2006)M etric D isplacement D isson…Some Non-Isomorphisms between Pitch and Time (2002)Some Non-Isomorphisms between…Into the Foothills: New Directions in Nineteenth-Century Analysis (1989)Into the Foothills: New Direc…The Unanswered Question: Six Talks at Harvard (1977)The Cambridge History of Western Music Theory (2002)A geometry of music: harmony and counterpoint in the extended common practice (2011)Hierarchy and position usage in ‘mixed’ metrical structures (2016)Musical Form and Musical Performance (1969)The time of music: new meanings, new temporalities, new listening strategies (1989)Fantasy pieces: metrical dissonance in the music of Robert Schumann (2000)Rameau and Musical Thought in the Enlightenment (1994)Fantasy Pieces (1999)Metric Manipulations In Haydn And Mozart (2009)An Analysis of Artistic form and Musical Perspective of Romantic Era Music (2021)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)The specular moment: Goethe's early lyric and the beginnings of romanticism (1997)Complex Hemiolas, Ski‐Hill Graphs and Metric Spaces (2001)Sentences with Words: Text and Theme-Type in Die schone Mullerin (2014)The Fourth Dimension of a Song (2015)The Body in the Mind (1987)Blending and metaphor (1999)Metaphors We Live By (2003)Metric Manipulations in Post-Tonal Music (2020)Forces, Containers, and Paths: The Role of Body-Derived Image Schemas in the Conceptualization of Music (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)“Attractor Tempi” in Brahms’s Symphony No. 2/III (2018)GeneralizedTonnetzeandZeitnetze, and the topology of music concepts (2020)Generic Sequences and the Generic Tonnetz (2020)The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)Hemiolic Metric Space in Afro-Diasporic Popular Musics (2019)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical Form (1998)Elements of Sonata Theory (2006)Enacting Musical Time (2019)Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)Phrase Rhythm in Tonal Music (1991)Cadence (2024)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)
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Cited by

  • 2006M etric D isplacement D issonance and R omantic L onging in the G erman L ied29 cited
  • 2009Metric Cubes in Some Music of Brahms28 cited
  • 2013Metrical Displacement and Metrically Dissonant Hemiolas25 cited
  • 2002Some Non-Isomorphisms between Pitch and Time24 cited
  • 2008Metric Analysis and the Metaphor of Energy: A Way into Selected Songs by Wolf and Schoenberg20 cited
  • 2007O n M etre in the R ondo of B rahms ’ s O p . 2510 cited
  • 2015Meter Metrics8 cited
  • 2011Thinking (and Singing) in Threes6 cited
  • 2020End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression5 cited
  • 2013Leonhard Euler’s Unfinished Theory of Rhythm5 cited
  • 2015Composing Declamation4 cited
  • 1989Into the Foothills: New Directions in Nineteenth-Century Analysis4 cited

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