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Licensed to Stereotype: Geopolitics, James Bond and the Spectre of Balkanism
0 references·16 citing·53 second hopsampled
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  • 2008Fu Manchu versus Dr Livingstone in the Dark Continent? Representing China, Africa and the West in British broadsheet newspapers183 cited
  • 2006Popular geopolitics and audience dispositions: James Bond and the Internet Movie Database (IMDb)158 cited
  • 2006Film, geopolitics and the affective logics of intervention151 cited
  • 2010Recontextualising violence, power and nature: The next twenty years of critical geopolitics?121 cited
  • 2007The Tyranny of the Serial: Popular Geopolitics, the Nation, and Comic Book Discourse93 cited
  • 2006Geopolitics and ‘the vision thing’: regarding Britain and America's first nuclear missile89 cited
  • 2008Warrior geopolitics: Gladiator, Black Hawk Down and The Kingdom Of Heaven81 cited
  • 2009Shaken and Stirred: A Content Analysis of Women’s Portrayals in James Bond Films66 cited
  • 2008Space and the Atom: On the Popular Geopolitics of Cold War Rocketry61 cited
  • 2014Be Part of the Story: A popular geopolitics of war comics aesthetics and Royal Air Force recruitment60 cited
  • 2007Geographies of War: Perspectives on ‘Resource Wars’51 cited
  • 2013The Geopolitical Audience: WatchingQuantum of Solace(2008) in London45 cited
  • 2014Shaking and Stirring James Bond: Age, Gender, and Resilience in Skyfall (2012)37 cited

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  • 2019Sound and fury? Film score and the geopolitics of instrumental music24 cited
  • 2010Jason Bourne: Gender, Geopolitics, and Contemporary Representations of National Security24 cited
  • 2010Captain Britain And The Narration Of Nation*23 cited