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Concepts of Harmony and Prolongation in Schoenberg's Op. 19/2

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References

1990Remaking the Past187 cited
1987The Problem of Prolongation in Post-Tonal Music162 cited
1976Dissonant Prolongation: Theoretical and Compositional Precedents115 cited
1989Atonal prolongational structure113 cited
1997The Problem of Prolongation in "Tonal" Music: Terminology, Perception, and Expressive Meaning91 cited
1992The Autonomy of Motives in Schenkerian Accounts of Tonal Music82 cited
1959Towards a New Concept of Tonality?62 cited
1998Pitch-Class Set Multiplication in Theory and Practice45 cited
1990Voice Leading in Post-Tonal Music: Suggestions for Extending Schenker's Theory40 cited
1994A Tutorial on Klumpenhouwer Networks, Using the Chorale in Schoenberg's Opus 11, No. 239 cited
1966Directed Motion in Schoenberg and Webern38 cited
1995Equivalence and Similarity in Pitch and Their Interaction with PCSet Theory37 cited
1994Schoenberg on Ornamentation and Structural Levels35 cited

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2015Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching16 cited
2013Sound and semantics: topics in the music of Arnold Schoenberg

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2018Form—Function—Content13 cited

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2004Transformational Streams: Unraveling Melodic Processes in Twentieth-Century Motivic Music5 cited

2005Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics5 cited

2019Ornamentation as Gesture in Atonal Music4 cited

2020Octave-generalized analysis of chord progressions: Diatonic/fifth relations, missing fundamentals, completion tones3 cited