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Cited by

• 2007When is Advertising Advertising? Comparing Responses to Non-Traditional and Traditional Advertising Media111 cited
• 2014Palaeolithic Personal Ornaments: Historical Development and Epistemological Challenges97 cited
• 1994What Became Authentic Primitive Art?96 cited
• 1984the political use of Sande ideology and symbolism87 cited
• 1994Socialising landscapes: the long‐term implications of signs, symbols and marks on the land79 cited
• 2008The Poetics of the Crocodile: Changing Cultural Perspectives in Ambonwari64 cited
• 1994Beyond the Intentional Fallacy: Art Criticism and the Ethnography of Aboriginal Acrylic Painting59 cited
• 2018Creativity/Anthropology50 cited
• 2010Linguistic Imagery in Warlpiri Songs: Some Examples of Metaphors, Metonymy and Image-schemata inMinamina Yawulyu42 cited
• 1990What's in a mask*41 cited
• 2002The Balanced Scorecard as an Intellectual Technology40 cited
• 1997Dialogics of material culture: male and female in Murik outrigger canoes35 cited
• 2020Materiality, Agency and Evolution of Lithic Technology: an Integrated Perspective for Palaeolithic Archaeology34 cited
• 1989Truth, beauty, and pintupi painting32 cited