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Antoine Hennion and the sociology of music
16 references·4 citing·32 second hop
Antoine Hennion and the sociology of music (2006)Antoine Hennion and the sociology of musicDistinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Culture and the Public Sphere (2010)Culture and the Public SphereCULTURE AND THE PUBLIC SPHERE (2010)CULTURE AND THE PUBLIC SPHEREPragmatics of Taste (2007)Pragmatics of TastePopular Music in Contemporary France: Authenticity, Politics, Debate (2004)Popular Music in Contemporary…The Cultural study of music: a critical introduction (2003)The Cultural study of music: …Music Lovers (2001)Music LoversMusic in Everyday Life (2000)Music in Everyday LifePopular Music in Theory: An Introduction (1999)Popular Music in Theory: An I…Performing Rites: Evaluating Popular Music (1998)Performing Rites: Evaluating …The Politics of Fun: Cultural Policy and Debate in Contemporary France (1997)The Politics of Fun: Cultural…Popular music in theory: an introduction (1997)Popular music in theory: an i…Baroque and rock: Music, mediators and musical taste (1997)Baroque and rock: Music, medi…Performing Rites (1996)Performing RitesLa Passion Musicale: Une Sociologie de la Meditation. (1994)La Passion Musicale: Une Soci…On Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …New Model, Same Old Stories? (2021)New Model, Same Old Stories?Risk and Reward in Classical Music Concert Attendance: Investigating the Engagement of ‘Art’ and ‘Entertainment’ Audiences with a Regional Symphony Orchestra in the UK (2017)Risk and Reward in Classical …Where music and knowledge meet: a comparison of temporary events in Los Angeles and Columbus, Ohio (2011)Where music and knowledge mee…MEDIATIONS IN FASHION (2008)MEDIATIONS IN FASHIONThe Act of Reading: A Theory of Aesthetic Response (1979)Performing rites: on the value of popular music (1997)On Qualculation, Agency, and Otherness (2005)Actor Network Theory and Material Semiotics (2008)What Is a Good Tomato? A Case of Valuing in Practice (2013)The Structure of Scientific Revolutions (1963)The consequences of modernity (1990)Cultural geography: the busyness of being `more-than-representational' (2005)Those Things That Hold Us Together: Taste and Sociology (2007)Music in the exercise domain: a review and synthesis (Part I) (2011)Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Understanding sponsorship effects (2001)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)The cultural economy: geography and the creative field (1999)Evolutionary Models of Music: From Sexual Selection to Group Selection (2000)Key themes in media theory (2007)The Modalities of Nostalgia (2006)Theorizing student voice: values and perspectives (2007)Issues in Cultural Tourism Studies (2009)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Put to the test: For a new sociology of testing (2020)The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy (1999)Playing to the Crowd (2019)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)After Adorno : rethinking music sociology (2003)Space-form and the acousmatic image (2007)
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2000Music in Everyday Life2,710 cited
  • 1996Performing Rites1,123 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 2003The Cultural study of music: a critical introduction609 cited
  • 1997Popular music in theory: an introduction327 cited
  • 2001Music Lovers315 cited
  • 1998Performing Rites: Evaluating Popular Music287 cited
  • 2010CULTURE AND THE PUBLIC SPHERE280 cited
  • 1999Popular Music in Theory: An Introduction222 cited
  • 2010Culture and the Public Sphere213 cited
  • 2007Pragmatics of Taste163 cited
  • 1997Baroque and rock: Music, mediators and musical taste122 cited
  • 1994La Passion Musicale: Une Sociologie de la Meditation.99 cited
  • 2004Popular Music in Contemporary France: Authenticity, Politics, Debate81 cited
  • 1997The Politics of Fun: Cultural Policy and Debate in Contemporary France72 cited

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  • 2011

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Where music and knowledge meet: a comparison of temporary events in Los Angeles and Columbus, Ohio
11 cited
  • 2021New Model, Same Old Stories?8 cited
  • 2008MEDIATIONS IN FASHION6 cited
  • 2017Risk and Reward in Classical Music Concert Attendance: Investigating the Engagement of ‘Art’ and ‘Entertainment’ Audiences with a Regional Symphony Orchestra in the UK3 cited