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Cited by

• 1985Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"147 cited
• 1980Russian Folk Melodies in "The Rite of Spring"122 cited
• 1987Liszt's Experimental Idiom and Music of the Early Twentieth Century104 cited
• 2011Catching Up with Rimsky-Korsakov99 cited
• 2002Stravinsky and the Octatonic: A Reconsideration79 cited
• 1995A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself"37 cited
• 2016Special Collections33 cited
• 2017The Rite of Spring Briefly Revisited: Thoughts on Stravinsky’s Stratifications, the Psychology of Meter, and African Polyrhythm16 cited
• 2013Stravinsky and the Russian period: sound and legacy of a musical idiom15 cited
• 1982Music Analysis as Human Science? 'Le Sacre du Printemps' in Theory and Practice12 cited
• 2003Implementing algebraic methods in OpenMusic.10 cited
• 2000Analysing Post‐Tonal Diatonic Music: A Modulo 7 Perspective6 cited
• 2003Enlivening analysis through performance: ‘Practising set theory’5 cited
• 2015Allen Forte's Contribution to Music Theory2 cited