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Picturing the Thing Itself, or Not: Defoe, Painting, Prose Fiction, and the Arts of Describing
10 references·0 citing·25 second hop
Picturing the Thing Itself, or Not: Defoe, Painting, Prose Fiction, and the Arts of Describing (1996)Picturing the Thing Itself, or Not: Defoe…Art and Illusion (2017)Art and IllusionThe illustration of Robinson Crusoe, 1719-1920 (1996)The illustration of Robinson …The discovery of painting: the growth of interest in the arts in England, 1680-1768 (1989)The discovery of painting: th…Rembrandt's Enterprise: The Studio and the Market (1989)Rembrandt's Enterprise: The S…Convention, Realism, and the Interpretation of Dutch and Flemish Tempest Painting (1986)Convention, Realism, and the …The Art of Describing. Dutch Art in the Seventeenth Century (1985)The Art of Describing. Dutch …A tracte containing the artes of curious paintinge (1969)A tracte containing the artes…Defoe and the Nature of Man (1965)Defoe and the Nature of ManA checklist of the writings of Daniel Defoe (1960)A checklist of the writings o…A Tour Thro' the Whole Island of Great Britain (1928)A Tour Thro' the Whole Island…Eighteenth-Century Abridgements of Robinson Crusoe (2014)The Image of Objectivity (1992)Putting the State on the Map: Cartography, Territory, and European State Formation (1999)That’s enough about ethnography! (2014)“The Mind Is Its Own Place”: Science and Solitude in Seventeenth-Century England (1991)The Place of Knowledge A Methodological Survey (1991)An Introduction to Actor-Network-Theory (2007)The Complexion of Desire: Racial Ideology and Mid-Eighteenth-Century British Novels (1999)The Utility of Ink: Rousseau and Robinson Crusoe (2002)Intimacy, Survival, and Resistance: Daniel Defoe's A Journal of the Plague Year (2010)What Do Bosses Really Do? (1986)THE DIALECTS OF ENGLAND SINCE 1776 (1994)The Cambridge History of English Literature, 1660–1780 (2005)The British Museum and the Virtual Representation of Culture in the Eighteenth Century (2000)The Paradox of the Anthology: Collecting and Difference in Eighteenth-Century Britain (2003)Beyond Mimesis and Convention (2010)On the Expression of Emotions in Rembrandt’s Art (2016)Contextual prerequisites for understanding: Some investigations of comprehension and recall (1972)How we know our minds: The illusion of first-person knowledge of intentionality (1993)Moral Imagination and Management Decision Making (2000)Observations from the Refuse-Heap: Freud, Michelangelo's Moses, and Psychoanalysis (2003)Virginity, Divinity and Power: The Portraits of Elizabeth I (2003)‘The Beautifying Part of Physic’: Women’s Cosmetic Practices in Early Modern England (2011)Reading and Mapping Fiction (2020)Eighteenth-Century Illustration and Literary Material Culture (2023)
this work references cited by second hop

References

  • 2017Art and Illusion853 cited
  • 1985The Art of Describing. Dutch Art in the Seventeenth Century366 cited
  • 1928A Tour Thro' the Whole Island of Great Britain167 cited
  • 1989Rembrandt's Enterprise: The Studio and the Market87 cited
  • 1989The discovery of painting: the growth of interest in the arts in England, 1680-176875 cited
  • 1996The illustration of Robinson Crusoe, 1719-192053 cited
  • 1965Defoe and the Nature of Man51 cited
  • 1960A checklist of the writings of Daniel Defoe33 cited
  • 1969A tracte containing the artes of curious paintinge11 cited
  • 1986Convention, Realism, and the Interpretation of Dutch and Flemish Tempest Painting7 cited

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