References

No references inside the corpus for this window.

Cited by

• 1998Playful Reconstruction of Gender in P'ansori Storytelling39 cited
• 2012A History of Singing33 cited
• 2007The Dual Career of “Arirang”: The Korean Resistance Anthem That Became a Japanese Pop Hit33 cited
• 2017The Challenge of Oral Epic to Homeric Scholarship32 cited
• 2003Language, forms, prosody, and themes20 cited
• 2013Korean music before and after the West19 cited
• 2001Ch'angguk Opera and the Category of the "Traditionesque"18 cited
• 2006Singing Tales of the Gishi: Naniwabushi and the Forty-seven Rōnin in Late Meiji Japan15 cited
• 2016The institutionalization of Korean traditional music: problematic business ethics in the construction of genre and place10 cited
• 2016The role of ‘presence’ in training actors’ voices17 cited
• 2003Jockeying for Tradition: The Checkered History of Korean Ch'angguk Opera6 cited
• 2001P'ansoriperformance style: Audience responses and singers’ perspectives5 cited
• 2005We All Came Out Of Africa Singing And Dancing And We Have Been Doing It Ever Since4 cited
• 2010The constructed voice: a socio-cultural approach to teaching and learning singing3 cited