The First Movement of Beethoven's Opus 109: Compositional Genesis and Structural Dialectic

Kevin Bazzana

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Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

Abstract

The First Movement of Beethoven's Opus 109: Compositional Genesis and Structural Dialectic. Un article de la revue Canadian University Music Review / Revue de musique des universités canadiennes (Volume 12, numéro 1, 1992, p. 1-159) diffusée par la plateforme Érudit.

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References

1935Der freie Satz 1993Ludwig van Beethoven: Approaches to His Music 1983Beethoven and the Voice of God 1985Beethoven's Symbol for the Deity in the "Missa solemnis" and the Ninth Symphony 2013The Compositional Matrix 1986Schenker and Forte Reconsidered: Beethoven's Sketches for the Piano Sonata in E, Op. 109 1983Integration in works of Beethoven's final period 1985The Origins of Beethoven's Op. 109

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