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The First Movement of Beethoven's Opus 109: Compositional Genesis and Structural Dialectic
8 references·0 citing·17 second hop
The First Movement of Beethoven's Opus 109: Compositional Genesis and Structural Dialectic (1992)The First Movement of Beethoven's Opus 10…The Compositional Matrix (2013)The Compositional MatrixLudwig van Beethoven: Approaches to His Music (1993)Ludwig van Beethoven: Approac…Schenker and Forte Reconsidered: Beethoven's Sketches for the Piano Sonata in E, Op. 109 (1986)Schenker and Forte Reconsider…The Origins of Beethoven's Op. 109 (1985)The Origins of Beethoven's Op…Beethoven's Symbol for the Deity in the "Missa solemnis" and the Ninth Symphony (1985)Beethoven's Symbol for the De…Integration in works of Beethoven's final period (1983)Integration in works of Beeth…Beethoven and the Voice of God (1983)Beethoven and the Voice of GodDer freie Satz (1935)Der freie SatzThe Letters of Beethoven (1962)The Beethoven quartets (1967)The Classical Style (1977)Beethoven's Other Humanism (2009)Chopin and the Romantic Sonata: The First Movement of Op. 58 (2014)Readings in Schenker analysis and other approaches (1977)The Beethoven Sketchbooks: History, Reconstruction, Inventory (1986)Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Harmony in Beethoven (2016)Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio (1999)Poetry and the Romantic Musical Aesthetic (2008)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)Müzik Analizinde Schenker Yaklaşımı (2019)Resisting Tonality: Tippett, Beethoven and the Sarabande (1990)Cognitive constraints on compositional systems (1992)Has classical music a fractal nature? — A reanalysis (1993)Towards a generative syntax of tonal harmony (2011)
this work references cited by second hop

References

  • 1935Der freie Satz91 cited
  • 1993Ludwig van Beethoven: Approaches to His Music70 cited
  • 1983Beethoven and the Voice of God35 cited
  • 1985Beethoven's Symbol for the Deity in the "Missa solemnis" and the Ninth Symphony26 cited
  • 2013The Compositional Matrix15 cited
  • 1986Schenker and Forte Reconsidered: Beethoven's Sketches for the Piano Sonata in E, Op. 1095 cited
  • 1983Integration in works of Beethoven's final period4 cited
  • 1985The Origins of Beethoven's Op. 1093 cited

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