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Though domestic gardens are often understood as places where the people of Britain are happy to host a variety of living things, it is worth examining the factors that will collectively decide whether this continues to be the case. This paper considers some of these factors by developing a particular argument about practice and using it to scrutinise certain forms of talk associated with the contemporary acquisition of plants. More specifically, it is interested in how current consumer trends may be somewhat inadvertently encouraged by the group of people we understand as garden designers. By attending to how these designers handle particular points during the client consultations they convene, it examines why the notion of an animate garden can sometimes become uncomfortable for them and what this means for the gardens they subsequently supply. Moments such as these often seemed to go unnoticed by the people involved. Yet they are collectively likely to make a considerable impact on what comes after them and my central argument is that we could usefully investigate exactly these points of passing discomfort when they show us how human habits can become gradually more entrenched and why sensible strategies of social interaction could indirectly influence the future form of many gardens in this country.
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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