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Waits, musicians, bearwards and players: the inter-urban road travel and performances of itinerant entertainers in sixteenth and seventeenth century England
7 references·7 citing·32 second hop
Waits, musicians, bearwards and players: the inter-urban road travel and performances of itinerant entertainers in sixteenth and seventeenth century England (2005)Waits, musicians, bearwards and players: …The Queen's Men and Their Plays (2000)The Queen's Men and Their Pla…The Shakespearian Playing Companies (1996)The Shakespearian Playing Com…The Shakespearian playing companies (1996)The Shakespearian playing com…Three Reluctant Patrons and Early Shakespeare (1993)Three Reluctant Patrons and E…Patrons and Musicians of the English Renaissance (1982)Patrons and Musicians of the …Records of Early English Drama (1977)Records of Early English DramaProgresses and Public Processions of Queen Elizabeth I (1823)Progresses and Public Process…Music in the Early Colonial World (2019)Music in the Early Colonial W…Reformations (2017)ReformationsA Social History of England, 1500–1750 (2017)A Social History of England, …The Cambridge Introduction to Early Modern Drama, 1576–1642 (2014)The Cambridge Introduction to…Geographies of Performance in the Early Modern Midlands (2014)Geographies of Performance in…The Cultural Geography of Early Modern Drama, 1620–1650 (2013)The Cultural Geography of Ear…Butterfly takes flight: the translocal circulation of creative practice (2011)Butterfly takes flight: the t…The Cambridge companion to English Renaissance drama (1991)Space in Performance (1999)The Stuart Court Masque and Political Culture (2009)Receiving Early Modern Women’s Drama (2022)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)The Mediterranean and the Mediterranean World in the Age of Philip II (1974)Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking (2003)EU 7 FP project Governing urban divercity: Creating social cohesion, social mobility and economic performance in today’s hyper-diversified cities (DIVERCITIES) – The case of Warsaw (2017)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Making Sex: Body and Gender from the Greeks to Freud. (1993)Seeing like a State: How Certain Schemes to Improve the Human Condition Have Failed (1998)The Myth of the Minstrel Manuscript (1991)Medieval Londoners (2019)Slaves and Roman Comedy (2019)The rise of London’s book-trade (1999)The Cambridge History of the Book in Britain (2002)The Latin trade (2002)The stagecraft and performance of Roman comedy (2007)The Shakespearean Stage Space (2012)Mythologies of the Prophet Muhammad in Early Modern English Culture (2013)Grocers, Goldsmiths, and Drapers: Freemen and Apprentices in the Elizabethan Theater (2004)The Popularity of Playbooks Revisited (2005)The Chimera of Amalgamation (1993)What’s So Special about 1594? (2010)Performances at Court in the Age of Shakespeare (2019)Queen Elizabeth I: Representations of the Virgin Queen (1990)Redefining Elizabethan Literature (2004)Othello’s Black Handkerchief (2013)Literature and London (2003)Children of the Queen's Revels (2005)The Politics of Commonwealth (2005)
this work references cited by second hop

References

  • 1996The Shakespearian Playing Companies394 cited
  • 1982Patrons and Musicians of the English Renaissance120 cited
  • 1823Progresses and Public Processions of Queen Elizabeth I100 cited
  • 1996The Shakespearian playing companies95 cited
  • 1977Records of Early English Drama92 cited
  • 2000The Queen's Men and Their Plays79 cited
  • 1993Three Reluctant Patrons and Early Shakespeare57 cited

Cited by

  • 2014Geographies of Performance in the Early Modern Midlands54 cited
  • 2017A Social History of England, 1500–175033 cited
  • 2019Music in the Early Colonial World24 cited
  • 2017Reformations21 cited
  • 2013The Cultural Geography of Early Modern Drama, 1620–165014 cited
  • 2011Butterfly takes flight: the translocal circulation of creative practice14 cited
  • 2014The Cambridge Introduction to Early Modern Drama, 1576–16424 cited

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