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MacedonianČalgija: A Musical Refashioning of National Identity
16 references·4 citing·29 second hop
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References

  • 1977Outline of a Theory of Practice27,539 cited
  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1980Outline of a Theory of Practice.14,545 cited
  • 1984Imagined Communities: Reflections on the Origin and Spread of Nationalism11,054 cited
  • 1971The Order of Things: An Archaeology of the Human Sciences.8,100 cited
  • 2012The History of Sexuality: An Introduction5,375 cited
  • 1998Cosmopolitics : thinking and feeling beyond the nation1,935 cited
  • 1984Time and Narrative, Volume 11,623 cited
  • 1991The New Encyclopaedia Britannica1,583 cited
  • 1996Cultural Intimacy: Social Poetics in the Nation-State938 cited
  • 1984Tradition, Genuine or Spurious781 cited
  • 1998Cultural Intimacy: Social Poetics In the Nation‐State753 cited
  • 2000Nationalists, Cosmopolitans, and Popular Music in Zimbabwe444 cited
  • 1999Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music371 cited
  • 1995The Macedonian Conflict

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329 cited

Cited by

  • 2020Affective block and the musical racialisation of Romani sincerity13 cited
  • 2017Singing ‘with culture’: popular musicians and affective labour in state-socialist Albania12 cited
  • 2020Not Different Enough: Avoiding Representation as “Balkan” and the Constrained Appeal of Macedonian Ethno Music4 cited
  • 2017Popular Music as an Interpretive Device for Creating Meaningful Visitor Experience in Music Museums3 cited