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Trauma and Recovery in Germaine Tailleferre’s Six chansons françaises (1929)
16 references·0 citing·31 second hop
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References

  • 1992Trauma and Recovery5,225 cited
  • 2004History in Transit: Experience, Identity, Critical Theory288 cited
  • 1999Shattered subjects: trauma and testimony in women's life-writing233 cited
  • 2003The Anonymous Marie de France197 cited
  • 1988Neoclassicism in music: from the genesis of the concept through the Schoenberg/Stravinsky polemic186 cited
  • 1995Civilization Without Sexes: Reconstructing Gender in Postwar France, 1917-1927.167 cited
  • 2009Renaissance and Renewal in the Twelfth Century160 cited
  • 1993Musicology and difference: Gender and sexuality in music scholarship136 cited
  • 2005The Modern Woman Revisited: Paris between the Wars97 cited
  • 2003Queer episodes in music and modern identity87 cited
  • 1961Feminist approaches to art therapy84 cited
  • 2003Music and the ineffable75 cited
  • 201939. Back to Whom? Neoclassicism as Ideology49 cited
  • 1994Rediscovering The Muses: Women's Musical Traditions35 cited
  • 2003Music's Modern Muse: A Life of Winnaretta Singer, Princesse de Polignac28 cited
  • 2017Musical Voices of Early Modern Women

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