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Categorical gestures, the diamond conjecture, Lewin's question, and the Hammerklavier Sonata
6 references·7 citing·26 second hop
Categorical gestures, the diamond conjecture, Lewin's question, and the Hammerklavier Sonata (2009)Categorical gestures, the diamond conject…Interpreting Musical Gestures, Topics, and Tropes (2017)Interpreting Musical Gestures…Generalized Musical Intervals and Transformations (2007)Generalized Musical Intervals…Diagrams, gestures and formulae in music (2007)Diagrams, gestures and formul…The topos of music: geometric logic of concepts, theory, and performance (2003)The topos of music: geometric…The Topos of Music (2002)The Topos of MusicGeneralized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Towards a mathematical foundation for music theory and composition: a theory of structure (2024)Towards a mathematical founda…Explicit presentations of topological categories of gestures (2022)Explicit presentations of top…Mazzola, Galois, Peirce, Riemann, and Merleau-Ponty: A Triadic, Spatial Framework for Gesture Theory (2017)Mazzola, Galois, Peirce, Riem…Mathematical Music Theory and the Musical Math Game—Two Creative Ontological Switches (2017)Mathematical Music Theory and…Abstract Gestures: A Unifying Concept in Mathematical Music Theory (2017)Abstract Gestures: A Unifying…N th Roots of Pitch-Class Inversion (2011)N th Roots of Pitch-Class Inv…Imaginary transformations (2010)Imaginary transformationsThe Structure of Atonal Music (1973)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)A Hypercube-Graph Model for n-Tone Rows and Relations (2013)Old and New Isometries between Pc sets in the Planet-4D Model (2015)La raison des gestes dans l'Occident médiéval (1990)Gesture and Thought (2005)6 Feet Apart: Spaces and Cultures of Quarantine (2020)Musical pitch quantization as an eigenvalue problem (2020)Quantum GestART: identifying and applying correlations between mathematics, art, and perceptual organization (2020)The Topos of Music (2018)Sketches of an Elephant (2007)The Structure of Atonal Music (1974)Generalized Voice-Leading Spaces (2008)A geometry of music: harmony and counterpoint in the extended common practice (2011)Aspects of Well-Formed Scales (1989)Action and Agency Revisited (2013)Musical intervals and special linear transformations (2007)S cale T heory , S erial T heory and V oice L eading (2008)Chromatic Transformations in Nineteenth-Century Music (2002)Music as Embodied Mathematics: A Study of a Mutually Informing Affinity (2003)Continuous Transformations (2004)Statistics in Musicology (2003)P aradoxes of P itch S pace (2008)Modes, the Height-Width Duality, and Handschin’s Tone Character (2011)Communicating and accentuating the aesthetic and expressive dimension in choral conducting (2009)Consequences of the affective turn: Exploring music practices from without and within (2015)
this work references cited by second hop

References

  • 1988Generalized Musical Intervals and Transformations487 cited
  • 2007Generalized Musical Intervals and Transformations159 cited
  • 2002The Topos of Music153 cited
  • 2003The topos of music: geometric logic of concepts, theory, and performance152 cited
  • 2007Diagrams, gestures and formulae in music58 cited
  • 2017Interpreting Musical Gestures, Topics, and Tropes51 cited

Cited by

  • 2017Abstract Gestures: A Unifying Concept in Mathematical Music Theory7 cited
  • 2011N th Roots of Pitch-Class Inversion6 cited
  • 2024Towards a mathematical foundation for music theory and composition: a theory of structure5 cited
  • 2017Mazzola, Galois, Peirce, Riemann, and Merleau-Ponty: A Triadic, Spatial Framework for Gesture Theory4 cited
  • 2010Imaginary transformations3 cited
  • 2022Explicit presentations of topological categories of gestures3 cited
  • 2017Mathematical Music Theory and the Musical Math Game—Two Creative Ontological Switches3 cited

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