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Monster Metaphors: Notes on Michael Jackson’s ‘Thriller’
8 references·11 citing·36 second hop
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this work references cited by second hop

References

  • 1977Image-Music-Text3,641 cited
  • 1966Against Interpretation481 cited
  • 1985Urban Rhythms213 cited
  • 1986Horrality— The Textuality of Contemporary Horror Films185 cited
  • 1983Caligari's Children: The Film as Tale of Terror117 cited
  • 1984Nowhere to Run: The Story of Soul Music74 cited
  • 1984Conditions of Music70 cited
  • 1986Like Punk Never Happened: Culture Club and the New Pop47 cited

Cited by

  • 1994Black male: Advertising and the cultural politics of masculinity123 cited
  • 1998Queer figurations in the media: Critical reflections on the Michael Jackson sex scandal45 cited
  • 2012The Labors of Michael Jackson: Virtuosity, Deindustrialization, and Dancing Work34 cited
  • 2005Editorial: Popular Music and Leisure32 cited
  • 2010Difference that Exceeded Understanding: Remembering Michael Jackson (1958–2009)31 cited
  • 2012Michael Jackson's Queer Musical Belongings22 cited
  • 1987Music, television, and video: Historical and aesthetic considerations19 cited
  • 2015From Cautionary Chart-Topper to Friendly Beverage Anthem: Michael Jackson's “Billie Jean” and Pepsi's “Choice of a New Generation” Television Campaign

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18 cited
  • 1992Music Video as Communication: Popular Formulas and Emerging Genres17 cited
  • 1995Black or white: Michael Jackson's video as a mirror of popular culture7 cited
  • 2012“They Don't Care About Us”: Michael Jackson's Black Nationalism3 cited