SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Polynesian Youth Hip Hop: Intersubjectivity and Australia's Multicultural Audience
16 references·3 citing·30 second hop
Polynesian Youth Hip Hop: Intersubjectivity and Australia's Multicultural Audience (2014)Polynesian Youth Hip Hop: Intersubjectivi…The Cultural Politics of Emotion (2013)The Cultural Politics of Emot…The Location of Culture (2012)The Location of CultureEveryday Multiculturalism (2009)Everyday MulticulturalismMulticultural experience enhances creativity: The when and how. (2008)Multicultural experience enha…International Journal of Peace Studies (2008)International Journal of Peac…The Cultural Politics of Emotion (2007)The Cultural Politics of Emot…Can't Stop Won't Stop: A History of the Hip-Hop Generation (2005)Can't Stop Won't Stop: A Hist…Creativity, Communication and Cultural Value (2004)Creativity, Communication and…Global Noise: Rap and Hip‐Hop outside the USA. (2003)Global Noise: Rap and Hip‐Hop…The hip hop generation: young blacks and the crisis in African American culture (2002)The hip hop generation: young…Relationality: From attachment to intersubjectivity. (2001)Relationality: From attachmen…Cultures of Popular Music (2001)Cultures of Popular MusicHip Hop America (1998)Hip Hop AmericaQuestions of Cultural Identity (1997)Questions of Cultural IdentityBlack Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Black noise: rap music and black culture in contemporary America (1994)Black noise: rap music and bl…[Dr]illing in the name of: the criminalisation of Sydney drill group ONEFOUR (2022)[Dr]illing in the name of: th…Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene (2019)Forging traditions: continuit…Rap, racism, and visibility: black music as a mediator of young Israeli-Ethiopians’ experience of being ‘Black’ in a ‘White’ society (2018)Rap, racism, and visibility: …The associative basis of the creative process. (1962)Validation of the five-factor model of personality across instruments and observers. (1987)The role of positive emotions in positive psychology: The broaden-and-build theory of positive emotions. (2001)Commonality and the Complexity of “We”: Social Attitudes and Social Change (2009)Inclusion and Diversity in Work Groups: A Review and Model for Future Research (2010)Biculturalism and Adjustment (2012)Rethinking authenticity in tourism experience (1999)Discourse Analysis as Theory and Method (2002)The New Mobilities Paradigm (2006)“MIGHT NOT BE A TOMORROW”: A MULTIMETHODS APPROACH TO ANTICIPATED EARLY DEATH AND YOUTH CRIME* (2009)Internet banging: New trends in social media, gang violence, masculinity and hip hop (2013)The Stage Hip-Hop Feminism Built: A New Directions Essay (2013)Classification as Culture: Types and Trajectories of Music Genres (2008)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)A Postcapitalist Politics (2006)A phenomenology of whiteness (2007)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)Playing with reality (2007)Relational Bureaucracy: Structuring Reciprocal Relationships into Roles (2012)Phenomenological Approaches in Psychology and Health Sciences (2013)Critical Approaches to Security in Europe: A Networked Manifesto (2006)Diplomacy and Other Forms of Intervention in Civil Wars (2006)Avatars of Eurocentrism in the critique of the liberal peace (2013)The Whiteness of Nerds: Superstandard English and Racial Markedness (2001)White Means Never Having to Say You're Ethnic (2001)Global Englishes, Rip Slyme, and performativity (2003)Negotiating Hegemonic Masculinity: Imaginary Positions and Psycho-Discursive Practices (1999)Telling Identities: In Search of an Analytic Tool for Investigating Learning as a Culturally Shaped Activity (2005)Toward a Tribal Critical Race Theory in Education (2005)
this work references cited by second hop

References

  • 2012The Location of Culture17,820 cited
  • 2013The Cultural Politics of Emotion4,724 cited
  • 1997Questions of Cultural Identity4,250 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 2005Can't Stop Won't Stop: A History of the Hip-Hop Generation1,151 cited
  • 2008Multicultural experience enhances creativity: The when and how.975 cited
  • 1994Black noise: rap music and black culture in contemporary America889 cited
  • 2008International Journal of Peace Studies648 cited
  • 2001Relationality: From attachment to intersubjectivity.550 cited
  • 2002The hip hop generation: young blacks and the crisis in African American culture541 cited
  • 2009Everyday Multiculturalism434 cited
  • 2007The Cultural Politics of Emotion426 cited
  • 2004Creativity, Communication and Cultural Value343 cited
  • 2003Global Noise: Rap and Hip‐Hop outside the USA.285 cited
  • 1998Hip Hop America252 cited
  • 2001Cultures of Popular Music241 cited

Cited by

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2019Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene9 cited
  • 2022[Dr]illing in the name of: the criminalisation of Sydney drill group ONEFOUR6 cited
  • 2018Rap, racism, and visibility: black music as a mediator of young Israeli-Ethiopians’ experience of being ‘Black’ in a ‘White’ society5 cited