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Harmony and Voice Leading
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  • 2020Music Theory and the White Racial Frame359 cited
  • 1992Cadential processes: The evaded cadence and the “one more time” technique174 cited
  • 2007Schoenberg's Musical Imagination126 cited
  • 2012Harmony in Haydn and Mozart74 cited
  • 2007A Generative Grammar Approach To Diatonic Harmonic Structure63 cited
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  • 2018Musical Syntax I: Theoretical Perspectives53 cited
  • 1998Schenkerian Analysis of Modern Jazz: Questions about Method52 cited
  • 2018The Annotated Beethoven Corpus (ABC): A Dataset of Harmonic Analyses of All Beethoven String Quartets50 cited
  • 2019Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets44 cited
  • 2013The Viennese symphony 1750 to 182735 cited
  • 2018Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music33 cited
  • 2015TOWARDS A SYNTAX OF THE CLASSICAL CADENCE32 cited
  • 1995Chromatic Third-Relations and Tonal Structure in the Songs of Debussy27 cited
  • 1999Schenker's Mysterious Five

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23 cited
  • 2015What Is a Cadence?: Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire22 cited