Cited by

• 2015Green pigments of Roman mural paintings from Seville Alcazar49 cited
• 2021The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades42 cited
• 2016Revealing the composition of organic materials in polychrome works of art: the role of mass spectrometry-based techniques42 cited
• 2023Non-invasive identification of red and yellow oxide and sulfide pigments in wall-paintings with portable ER-FTIR spectroscopy40 cited
• 2016A new approach to the determination of the synthetic or natural origin of red pigments through spectroscopic analysis32 cited
• 2015Multi-analytical study of techniques and palettes of wall paintings of the monastery of Žiča, Serbia31 cited
• 2020Review—Electrochemical and SERS Sensors for Cultural Heritage Diagnostics and Conservation: Recent Advances and Prospects30 cited
• 2015Raman microspectroscopic analysis of decorative pigments from the Roman villa of El Ruedo (Almedinilla, Spain)30 cited
• 2012DOMUS AUREA, THE ‘SALA DELLE MASCHERE’: CHEMICAL AND SPECTROSCOPIC INVESTIGATIONS ON THE FRESCO PAINTINGS27 cited
• 2013Egyptian Blue cakes from the Ayanis fortress (Eastern Anatolia, Turkey): micro-chemical and -structural investigations for the identification of manufacturing process and provenance27 cited
• 2018Nanotechnologies and Nanomaterials26 cited
• 2018Μicro-Raman spectroscopy for the characterization of rock-art pigments from Abrigo del Águila (Badajoz – Spain)25 cited
• 2021Enriching the knowledge of Ostia Antica painted fragments: a multi-methodological approach19 cited
• 2014An uncovered XIII century icon: Particular use of organic pigments and gilding techniques highlighted by analytical methods18 cited
• 2012Study of Late Roman and Byzantine glass by the combined use of analytical techniques18 cited
• 2021Nondestructive Analysis of Wall Paintings at Ostia Antica16 cited