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Sounds of the "Third Way": Identity and the African Renaissance in Contemporary South African Popular Traditional Music
3 references·6 citing·33 second hop
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this work references cited by second hop

References

  • 1987In Township Tonight! South Africa's Black City Music and Theatre292 cited
  • 1999Nightsong: Performance, Power, and Practice in South Africa95 cited
  • 1982"I'm a Leader, Not a Boss": Social Identity and Popular Music in Ibadan, Nigeria26 cited

Cited by

  • 2008Global and African: exploring hip-hop artists in Philippi Township, Cape Town15 cited
  • 2018Tradition, Innovations, and Modernity in the Music of the Edo of Nigeria: Toward a Theory of Progressive Traditionalism14 cited
  • 2011Language and Identity Representation in Popular Music8 cited
  • 2006Kwaito: a developing inter-racial phenomenon?4 cited
  • 2011Pop singer as healer: the use of Xhosa lyrics as cultural self-realization4 cited
  • 2009Mbaqanga, Bollywood and Beethoven on the Beachfront: A Composer's Perspective on Representation and Identity in the FilmMy Black Little Heart3 cited

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