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S choenberg and the ‘M oment of G erman M usic ’
16 references·0 citing·30 second hop
S choenberg and the ‘M oment of G erman M usic ’ (2005)S choenberg and the ‘M oment of G erman M…Distinction: A Social Critique of the Judgement of Taste (2013)Distinction: A Social Critiqu…The Second Practice of Nineteenth-Century Tonality (1997)The Second Practice of Ninete…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Reimag(in)ing Riemann (1995)Reimag(in)ing RiemannMusica ficta (figures of Wagner) (1995)Musica ficta (figures of Wagn…Sibelius: Symphony No. 5 (1993)Sibelius: Symphony No. 5Quasi una fantasia: essays on modern music (1993)Quasi una fantasia: essays on…A history of Western musical aesthetics (1993)A history of Western musical …Mahler (1992)MahlerUnsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Unsung Voices: Opera and Musi…Can One Speak of Narrativity in Music? (1990)Can One Speak of Narrativity …Once More "Between Absolute and Program Music": Schumann's Second Symphony (1984)Once More "Between Absolute a…The Structure of the "Ring" and Its Evolution (1977)The Structure of the "Ring" a…Style and Idea. Selected Writings of Arnold Schoenberg (1976)Style and Idea. Selected Writ…Philosophy of Modern Music (1974)Philosophy of Modern MusicUrsprung des deutschen Trauerspiels (1925)Ursprung des deutschen Trauer…The Strangeness of Gods (2004)History of Modern Aesthetics (2005)Architecture and Modern Literature (2012)The Aesthetics of Music (1981)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)Anthropology and Voice (2014)Schumann and Late Eighteenth-Century Narrative Strategies (1987)Haydn, Laurence Sterne, and the Origins of Musical Irony (1991)Virtuosity and the Musical Work (2003)The Quest for the Origins of Music in Germany Circa 1900 (2000)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)The Globalisation of Positional Competition? (2000)Professionalism as Symbolic Capital: Materials for a Bourdieusian Theory of Professionalism (2011)Norms: An Integrated Framework (2020)Accounting/art and the emancipatory project: some reflections (1996)Performing the (Sound)World (2000)The cultural and creative industries: a review of the literature (2007)A Cognitive Theory of Musical Meaning (2000)The Geometry of Musical Chords (2006)Action and Agency Revisited (2013)Popular Culture as Oppositional Culture: Rap as Resistance (1997)A sonic geography of voice (2011)Europe's ordoliberal iron cage: critical political economy, the euro area crisis and its management (2015)Narrative Archetypes: A Critique, Theory, and Method of Narrative Analysis (2003)Jewish Music and Modernity (2008)Music as Discourse (2008)Brahms and Twentieth-Century Classical Music (1984)The Propulsion Model of Creative Contributions Applied to the Arts and Letters (2001)The Cambridge Companion to Opera Studies (2012)
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References

  • 1991Unsung Voices: Opera and Musical Narrative in the Nineteenth Century583 cited
  • 1925Ursprung des deutschen Trauerspiels474 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 2013Distinction: A Social Critique of the Judgement of Taste362 cited
  • 1974Philosophy of Modern Music270 cited
  • 1984Once More "Between Absolute and Program Music": Schumann's Second Symphony200 cited
  • 1993Quasi una fantasia: essays on modern music197 cited
  • 1992Mahler189 cited
  • 1997The Second Practice of Nineteenth-Century Tonality180 cited
  • 1976Style and Idea. Selected Writings of Arnold Schoenberg170 cited
  • 1990Can One Speak of Narrativity in Music?166 cited
  • 1993Sibelius: Symphony No. 5165 cited
  • 1995Reimag(in)ing Riemann151 cited
  • 1995Musica ficta (figures of Wagner)151 cited
  • 1993A history of Western musical aesthetics140 cited
  • 1977The Structure of the "Ring" and Its Evolution127 cited

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