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Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music

7 references·16 citing·36 second hop

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References

1968The Discovery of Grounded Theory: Strategies for Qualitative Research.46,361 cited
1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
2010Music Genres and Corporate Cultures582 cited
2000Rap music and the poetics of identity499 cited
2003Rap music and street consciousness414 cited
1996Droppin' science : critical essays on rap music and hip hop culture386 cited
2017Music and Identity354 cited

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2006Color-Blind Ideology and the Cultural Appropriation of Hip-Hop200 cited
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2014

Differential Online Exposure to Extremist Content and Political Violence: Testing the Relative Strength of Social Learning and Competing Perspectives

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2016‘Going viral’ and ‘Going country’: the expressive and instrumental activities of street gangs on social media149 cited

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2011Shake it, Baby, Shake it: Consumption and the New Gender Relation in Hip-Hop121 cited

2012Rap Music and the Empowerment of Today’s Youth: Evidence in Everyday Music Listening, Music Therapy, and Commercial Rap Music113 cited

2009Empathetic identification and punitiveness97 cited

2013Gangs and gangsta rap in Chicago: A microscenes perspective78 cited