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Versuch Einer Anweisung die Flote Traversiere Zu Spielen
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  • 1995Magic Mirrors and the Seria Stage: Thoughts toward a Ritual View56 cited
  • 1997Mozart's Notation of Staccato Articulation: A New Appraisal45 cited
  • 1965The French Inégales, Quantz, and Bach44 cited
  • 1982Mozart, Haydn and the Sinfonia da Chiesa44 cited
  • 1974Theme, Harmony, and Texture in Classic-Romantic Descriptions of Concerto First-Movement Form43 cited
  • 2012A History of Singing33 cited
  • 2005Bach's extraordinary temperament: our Rosetta Stone--127 cited
  • 1986The Earliest Italian Keyboard Concertos24 cited
  • 2001Bach: A Musical Biography19 cited
  • 2012Bach's Feet: The Organ Pedals in European Culture19 cited
  • 1973Music, Rhetoric, and the Concept of the Affections: A Selective Bibliography19 cited
  • 2020How to Read a Rondeau: On Pleasure, Analysis, and the Desultory in Amateur Performance Practice of the Eighteenth Century17 cited
  • 1961A Lesser Secret of J. S. Bach Uncovered14 cited
  • 1971An 18th-Century Description of Concerto First-Movement Form12 cited
  • 1983Intellectual History and Concepts of the Concerto: Some Parallels from 1750 to 1850

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9 cited
  • 2017ANTONIO VIVALDI AND THE SUBLIME SEASONS: SONORITY AND TEXTURE AS EXPRESSIVE DEVICES IN EARLY EIGHTEENTH-CENTURY ITALIAN MUSIC8 cited