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On the Uses of Obscenity in Live Stand-Up Comedy
16 references·3 citing·38 second hop
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2024Jokes and their Relation to the Unconscious 19052,852 cited
  • 1966Purity and Danger2,243 cited
  • 199417 FROM ‘DISCOURSE IN THE NOVEL’1,483 cited
  • 2003Voices of Modernity1,164 cited
  • 2006Forbidden Words: Taboo and the Censoring of Language696 cited
  • 1987The Philosophy of laughter and humor615 cited
  • 1979Formality and Informality in Communicative Events389 cited
  • 1982The Anti-Theatrical Prejudice318 cited
  • 2018Womanliness as a Masquerade301 cited
  • 1982From ritual to theatre268 cited
  • 2007Singing the classical, voicing the modern: the postcolonial politics of music in South India223 cited
  • 2009“Speaking Shadows”: A History of the Voice in the Transition from Silent to Sound Film in the United States126 cited
  • 2005Expletive deleted : a good look at bad language107 cited
  • 2005Stigmas of the Tamil Stage85 cited
  • 1997Jokes, gender, and discursive distance on the Tamil popular stage71 cited

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Cited by

  • 2022The Power of Profanity: The Meaning and Impact of Swear Words in Word of Mouth48 cited
  • 2016“This guy says I should talk like that all the time”: Challenging intersecting ideologies of language and gender in an American Stuttering English comedienne's stand-up routine11 cited
  • 2012Boasian Legacies in Linguistic Anthropology: A Centenary Review of 20118 cited