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John Cage: Silence and Silencing
1 references·5 citing·16 second hop
John Cage: Silence and Silencing (1997)John Cage: Silence and SilencingJohn Cage at Seventy: An Interview (1985)John Cage at Seventy: An Inte…Creativity Is Optimal Novelty and Maximal Positive Affect: A New Definition Based on the Spreading Activation Model (2021)Creativity Is Optimal Novelty…John Cage'sSilent Pieceand the Japanese gardening technique ofshakkei: Formalizing Whittington's conjecture through conceptual graphs (2019)John Cage'sSilent Pieceand th…John Cage and Peter Yates (2019)John Cage and Peter YatesProtentions and Retentions of Xenakis and Cage: Nonhuman Actors, Genre and Time in Microsound (2018)Protentions and Retentions of…Testing Art with a Live Studio Audience: John Cage at an Intersection of Popular Television and the Avant-Garde (2011)Testing Art with a Live Studi…Against Interpretation and Other Essays (1966)Analyzing Multimodal Interaction (2004)Silence : lectures and writings (2011)Science in action : how to follow scientists and engineers through society (1987)Science in Action: How to Follow Scientists and Engineers through Society (1988)Reassembling the Social (2005)Post-punk, Industrial Culture Zines, and the Information Dark Age (2023)The Structure of a Semantic Theory (1963)The Music of John Cage (1993)Themes in the Philosophy of Music (2003)The associative basis of the creative process. (1962)Attitudinal effects of mere exposure. (1968)The Standard Definition of Creativity (2012)Yaşlanma, Hemşirelik ve Bakımda Var Olandan Yeniye Giden Yol ‘‘Yaratıcı Olmak’’ (2025)Philosophical Investigations. (1967)War and Peace in the Global Village (1968)
this work references cited by second hop

References

  • 1985John Cage at Seventy: An Interview9 cited

Cited by

  • 2021Creativity Is Optimal Novelty and Maximal Positive Affect: A New Definition Based on the Spreading Activation Model52 cited
  • 2018Protentions and Retentions of Xenakis and Cage: Nonhuman Actors, Genre and Time in Microsound4 cited
  • 2019John Cage'sSilent Pieceand the Japanese gardening technique ofshakkei: Formalizing Whittington's conjecture through conceptual graphs4 cited
  • 2019John Cage and Peter Yates3 cited
  • 2011Testing Art with a Live Studio Audience: John Cage at an Intersection of Popular Television and the Avant-Garde3 cited

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