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Imaging Silence—Representing Women: Moufida Tlatli'sSilences of the Palaceand North African Feminist Cinema
11 references·1 citing·28 second hop
Imaging Silence—Representing Women: Moufida Tlatli'sSilences of the Palaceand North African Feminist Cinema (2007)Imaging Silence—Representing Women: Moufi…Cinema Studies: The Key Concepts (2013)Cinema Studies: The Key Conce…Cinema Studies: The Key Concepts (2002)Cinema Studies: The Key Conce…The Eloquence of Silence: Algerian Women in Question (1996)The Eloquence of Silence: Alg…Framing Post-Third-Worldist Culture: Gender and Nation in Middle Eastern/North African Film (1996)Framing Post-Third-Worldist C…The Eloquence of Silence: Algerian Women in Question. (1995)The Eloquence of Silence: Alg…The eloquence of silence: Algerian women in question (1995)The eloquence of silence: Alg…Gender, Power and Sexuality (1991)Gender, Power and SexualityBeyond the Veil: Male-Female Dynamics in Modern Muslim Society (1987)Beyond the Veil: Male-Female …Sexuality in Islam (1985)Sexuality in IslamAnnuaire de l'Afrique du Nord (1968)Annuaire de l'Afrique du NordPortrait du colonisé, précédé du Portrait du colonisateur (1958)Portrait du colonisé, précédé…Staging Arts in the Historic City: Development Funding, Social Media Images, and Tunisia's Contemporary Public Art Scene (2022)Staging Arts in the Historic …Is the Post- in Postcolonial the Post- in Post-Soviet? Toward a Global Postcolonial Critique (2001)Academic Dependency and the Global Division of Labour in the Social Sciences (2003)There are no Minorities Here (2006)Key Terms in Discourse Analysis (2011)Repertoires, characters and scenes: Sociolinguistic difference in Turkish-German comedy (2012)Adoption of green banking practices and environmental performance in Pakistan: a demonstration of structural equation modelling (2021)Domestic Violence and Sexual Assault (1994)The everyday exploitation of women (1996)Taking Stock of Gender Reform Policies for Australian Schools: past, present and future (1997)BARGAINING WITH PATRIARCHY (1988)Modernizing women: gender and social change in the Middle East (1993)The Erotic Vaṭan [Homeland] as Beloved and Mother: To Love, To Possess, and To Protect (1997)The Study of Islamic Culture and Politics: An Overview and Assessment (2002)Gender, Race, and Symbolic Boundaries: Contested Spaces of Identity among Arab American Adolescents (2004)Bolshevism, Patriarchy, and the Nation: The Soviet “Emancipation” of Muslim Women in Pan-Islamic Perspective (2006)The Organic Ethnologist of Algerian Migration (2000)Decolonizing Bourdieu (2013)Migration diplomacy in the Global South: cooperation, coercion and issue linkage in Gaddafi’s Libya (2017)Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others (2002)Unveiled Sentiments: Gendered Islamophobia and Experiences of Veiling among Muslim Girls in a Canadian Islamic School (2006)Casualties of Care (2011)Rural credit programs and women's empowerment in Bangladesh (1996)Culture, Citizenship, and Community (2000)Islam and Authoritarianism (2002)Creative Cities and the Film Industry: Antalya's Transition to a Eurasian Film Centre (2008)The International Encyclopedia of Media Studies (2012)The NGO-isation of Arab Women's Movements (2004)Not-/Unveiling as An Ethical Practice (2011)
this work references cited by second hop

References

  • 1987Beyond the Veil: Male-Female Dynamics in Modern Muslim Society550 cited
  • 2002Cinema Studies: The Key Concepts231 cited
  • 1995The Eloquence of Silence: Algerian Women in Question.202 cited
  • 2013Cinema Studies: The Key Concepts167 cited
  • 1996The Eloquence of Silence: Algerian Women in Question166 cited
  • 1985Sexuality in Islam162 cited
  • 1968Annuaire de l'Afrique du Nord128 cited
  • 1995The eloquence of silence: Algerian women in question121 cited
  • 1958Portrait du colonisé, précédé du Portrait du colonisateur95 cited
  • 1991Gender, Power and Sexuality38 cited
  • 1996Framing Post-Third-Worldist Culture: Gender and Nation in Middle Eastern/North African Film10 cited

Cited by

  • 2022Staging Arts in the Historic City: Development Funding, Social Media Images, and Tunisia's Contemporary Public Art Scene2 cited

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