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Ruskin'sModern Paintersand the Visual Language of Reality
16 references·0 citing·30 second hop
Ruskin'sModern Paintersand the Visual Language of Reality (2009)Ruskin'sModern Paintersand the Visual Lan…Mysticism and Philosophy (2024)Mysticism and PhilosophyThe Works of John Ruskin (2010)The Works of John RuskinPerforming the Victorian: John Ruskin and identity in theater, science, and education (2007)Performing the Victorian: Joh…Associationism and the Literary Imagination (2007)Associationism and the Litera…Dying to Know: Scientific Epistemology and Narrative in Victorian England (2004)Dying to Know: Scientific Epi…Dying to Know (2002)Dying to KnowVictorian Psychology and British Culture 1850–1880 (2000)Victorian Psychology and Brit…Victorian Science in Context (1997)Victorian Science in ContextFraming the Victorians (1996)Framing the VictoriansGeorge Eliot and the Visual Arts (1981)George Eliot and the Visual A…George Eliot and the Visual Arts (1980)George Eliot and the Visual A…CRITICAL PRACTICE (1980)CRITICAL PRACTICEPrints and Visual Communication (1954)Prints and Visual Communicati…Mill on Bentham and Coleridge (1950)Mill on Bentham and ColeridgeThe Emotions and the Will (1859)The Emotions and the WillThe senses and the intellect. (1855)The senses and the intellect.Specious reward: A behavioral theory of impulsiveness and impulse control. (1975)The laws of emotion. (1988)Unbelieving the unbelievable: Some problems in the rejection of false information. (1990)Albert Smith, the Alpine Club, and the Invention of Mountaineering in Mid-Victorian Britain (1995)Reading the Tangible Past: British Tourism, Collecting, and Memory after Waterloo (2000)Satire in an Age of Realism (2010)Lessons from Iago: Narrating the event of Entrepreneurship (2006)History and Cultural Memory in Neo-Victorian Fiction (2010)After the Arctic Sublime (2016)Blind variation and selective retentions in creative thought as in other knowledge processes. (1960)The associative basis of the creative process. (1962)Scientific creativity as constrained stochastic behavior: The integration of product, person, and process perspectives. (2003)Notes from the Surface of the Image (2003)When Is a Photograph Worth a Thousand Words? (2003)Darwin's Emotions: The Scientific Self and the Sentiment of Objectivity (2009)Discourse Studies of Scientific Popularization: Questioning the Boundaries (2003)The Emergence of a Scientific Culture (2006)Colonies, Cults and Evolution (2007)Psilocybin can occasion mystical-type experiences having substantial and sustained personal meaning and spiritual significance (2006)Mystical-type experiences occasioned by psilocybin mediate the attribution of personal meaning and spiritual significance 14 months later (2008)The entropic brain: a theory of conscious states informed by neuroimaging research with psychedelic drugs (2014)Recognition and Renown: The Survival of Artistic Reputation (1988)The printing revolution in early modern Europe (1993)Visual Culture isn't Just Visual: Multiliteracy, Multimodality and Meaning (2004)(Re)Reading the Landscape (1988)Feminist Poststructuralism and Discourse Analysis: Contributions to Feminist Psychology (1989)Breaking the Paradigm Mentality (1993)Shell Shock, Trauma, and the First World War: The Making of a Diagnosis and Its Histories (2010)Introduction: Narrative and the Emotions (2011)Time and the Moment in Victorian Literature and Society (2011)
this work references cited by second hop

References

  • 1980CRITICAL PRACTICE642 cited
  • 1855The senses and the intellect.524 cited
  • 2024Mysticism and Philosophy513 cited
  • 1997Victorian Science in Context370 cited
  • 1859The Emotions and the Will363 cited
  • 2000Victorian Psychology and British Culture 1850–1880293 cited
  • 2010The Works of John Ruskin271 cited
  • 1954Prints and Visual Communication245 cited
  • 1996Framing the Victorians204 cited
  • 2004Dying to Know: Scientific Epistemology and Narrative in Victorian England150 cited
  • 2002Dying to Know145 cited
  • 1950Mill on Bentham and Coleridge120 cited
  • 1980George Eliot and the Visual Arts77 cited
  • 2007Associationism and the Literary Imagination48 cited
  • 1981George Eliot and the Visual Arts47 cited
  • 2007Performing the Victorian: John Ruskin and identity in theater, science, and education47 cited

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