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Gas-chromatography/mass-spectrometry of works of art: characterization of binding media in post-Byzantine icons
9 references·0 citing·34 second hop
Gas-chromatography/mass-spectrometry of works of art: characterization of binding media in post-Byzantine icons (1998)Gas-chromatography/mass-spectrometry of w…Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings (1996)Gas chromatographic-mass spec…A study for the characterization of binding media from medieval polychrome sculptures by gas chromatography-mass spectrometry (1996)A study for the characterizat…Ancient Binding Media, Varnishes and Adhesives (1995)Ancient Binding Media, Varnis…Identification of proteinaceous binding media in paintings by amino acid analysis using 9-fluorenylmethyl chloroformate derivatization and reversed-phase high-performance liquid chromatography (1994)Identification of proteinaceo…Identification of proteinaceous binding media of easel paintings by gas chromatography of the amino acid derivatives after catalytic hydrolysis by a protonated cation exchanger (1992)Identification of proteinaceo…Amino acid analysis of proteinaceous media from Cosimo Tura's ‘The Annunciation with Saint Francis and Saint Louis of Toulouse’ (1992)Amino acid analysis of protei…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…Storia della pittura bizantina (1971)Storia della pittura bizantinaThe materials and techniques of medieval painting (1956)The materials and techniques …The practice of tempera painting (1962)The Effects of Some Common Pigments on the Photo-Oxidation of Linseed Oil-Based Paint Media (1980)Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting (2008)Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra (2010)Reevaluating the timing of Neanderthal disappearance in Northwest Europe (2021)MISE AU POINT DES TECHNIQUES D’IDENTIFICATION DES PIGMENTS ET DES LIANTS INCLUS DANS LA COUCHE PICTURALE DES ENLUMINURES DE MANUSCRITS (1968)The Organic Chemistry of Museum Objects (1987)Protein Determination in Polychromed Stone Sculptures, Stuccoes and Gesso Grounds (1994)Gas Chromatographic Analysis of Amino Acids As Ethyl Chloroformate Derivatives. Part 1, Composition of Proteins Associated with Art Objects and Monuments (1996)Towards proteomic analysis of milk proteins in historical building materials (2009)METHODS USED FOR THE IDENTIFICATION OF BINDING MEDIA IN ITALIAN PAINTINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES (1971)Comparison between traditional strategies and classification technique (SIMCA) in the identification of old proteinaceous binders (2008)Characterization and Identification of Natural Terpenic Resins employed in “Madonna con Bambino e Angeli” by Antonello da Messina using Gas Chromatography–Mass Spectrometry (2012)Influence of pigments and protein aging on protein identification in historically representative casein-based paints using enzyme-linked immunosorbent assay (2015)Ageing and Deterioration of Proteinaceous Media (1981)Historische malmaterialien und ihre identifizierung (1988)Characterization of medieval proteinaceous painting media using gas chromatography and gas chromatography ? mass spectrometry (1995)Animal glues in mixtures of natural binding media used in artistic and historic objects: identification by capillary zone electrophoresis (2005)Application of high-performance separation techniques in archaeometry (2008)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings (1999)Classification and identification of organic binding media in artworks by means of Fourier transform infrared spectroscopy and principal component analysis (2011)Cleaning painted surfaces: evaluation of leaching phenomenon induced by solvents applied for the removal of gel residues (2014)Cross-Sections and Chemical Analysis of Paint Samples (1956)GC/MS in the Characterisation of Protein Paint Binders (2009)Colour and art: A brief history of pigments (2005)Animal origin of 13th-century uterine vellum revealed using noninvasive peptide fingerprinting (2015)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)Icon and Vision: Giovanni Bellini's Half-Length Madonnas (1975)Middle Byzantine Churches of Kastoria: Dates and Implications (1980)Donor Portraits in Byzantine Art (2018)
this work references cited by second hop

References

  • 1988The Organic Chemistry of Museum Objects686 cited
  • 1956The materials and techniques of medieval painting252 cited
  • 1996Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings83 cited
  • 1971Storia della pittura bizantina79 cited
  • 1995Ancient Binding Media, Varnishes and Adhesives57 cited
  • 1992Amino acid analysis of proteinaceous media from Cosimo Tura's ‘The Annunciation with Saint Francis and Saint Louis of Toulouse’50 cited
  • 1994Identification of proteinaceous binding media in paintings by amino acid analysis using 9-fluorenylmethyl chloroformate derivatization and reversed-phase high-performance liquid chromatography37 cited
  • 1992Identification of proteinaceous binding media of easel paintings by gas chromatography of the amino acid derivatives after catalytic hydrolysis by a protonated cation exchanger30 cited
  • 1996A study for the characterization of binding media from medieval polychrome sculptures by gas chromatography-mass spectrometry13 cited

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