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The First Movement of Beethoven's Cello Sonata, Op. 69: The Opening Solo as a Structural and Motivic Source
7 references·1 citing·19 second hop
The First Movement of Beethoven's Cello Sonata, Op. 69: The Opening Solo as a Structural and Motivic Source (1998)The First Movement of Beethoven's Cello S…Beethoven: Studies in the Creative Process (1993)Beethoven: Studies in the Cre…Johannes Brahms als Mensch, Lehrer und Künstler : Studien und Erlebnisse (1989)Johannes Brahms als Mensch, L…Aspects of Schenkerian Theory (1985)Aspects of Schenkerian TheoryAspects of Schenkerian Theory (1984)Aspects of Schenkerian TheoryThe New Grove Beethoven (1983)The New Grove BeethovenGuidelines for Style Analysis (1972)Guidelines for Style AnalysisGuidelines for Style Analysis (1971)Guidelines for Style AnalysisHarmony in Beethoven (2016)Harmony in BeethovenClassic Music: Expression, Form, and Style (1981)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Schumann's Monument to Beethoven (1991)A Tale of Two Symphonies: Converging Narratives of Divine Reconciliation in Beethoven's Fifth and Sixth (2000)Heinrich Schenker as an Interpreter of Beethoven's Piano Sonatas (1984)Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500 (1992)Theory, Text-Setting, and Performance (1993)Thematic fame and melodic originality in classical music: A multivariate computer-content analysis1 (1980)Some Eighteenth-Century Ritornello Scripts and Their Nineteenth-Century Revivals (2008)John Field and the Alternative History of Concerto First-Movement Form (2011)Recycling the End of the "Leibquartett": Models, Meaning and Propriety in Beethoven's Quartet in B-Flat Major, Opus 130 (1995)Beethoven's Emergence from Crisis: The Cello Sonatas of Op. 102 (1815) (1998)Beethoven's Other Humanism (2009)Sound recording popularity charts: A useful tool for music research (1975)Form, Genre, and Style in the Eighteenth-Century Rondo (1995)Music theory and analysis (2009)New Approaches to the Linear Analysis of Music (1988)Vom Einfall zum Werk — Produktionsprozesse, Notate, Werkgestalt(en) (2009)
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References

  • 1972Guidelines for Style Analysis163 cited
  • 1984Aspects of Schenkerian Theory53 cited
  • 1971Guidelines for Style Analysis51 cited
  • 1985Aspects of Schenkerian Theory48 cited
  • 1993Beethoven: Studies in the Creative Process20 cited
  • 1983The New Grove Beethoven16 cited
  • 1989Johannes Brahms als Mensch, Lehrer und Künstler : Studien und Erlebnisse14 cited

Cited by

  • 2016Harmony in Beethoven4 cited

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