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Dyes on Archaeological Textiles: Analyzing Alizarin and Its Degradation Products
4 references·5 citing·35 second hop
Dyes on Archaeological Textiles: Analyzing Alizarin and Its Degradation Products (2004)Dyes on Archaeological Textiles: Analyzin…Identification of natural dyes in archeological Coptic textiles by liquid chromatography with diode array detection (2003)Identification of natural dye…Analysis of anthraquinoid and indigoid dyes used in ancient artistic works by thermally assisted hydrolysis and methylation in the presence of tetramethylammonium hydroxide (2000)Analysis of anthraquinoid and…Fading of alizarin and related artists' pigments by atmospheric ozone: reaction products and mechanisms (1987)Fading of alizarin and relate…Deacidification of Degraded Linen (1983)Deacidification of Degraded L…Discoloration of Historical Plastic Objects: New Insight into the Degradation of β-Naphthol Pigment Lakes (2021)Discoloration of Historical P…Approaches for Detecting Madder Lake in Multi-Layered Coating Systems of Historical Bowed String Instruments (2018)Approaches for Detecting Madd…Surface-Enhanced Raman Spectroscopy: Using Nanoparticles to Detect Trace Amounts of Colorants in Works of Art (2016)Surface-Enhanced Raman Spectr…Developing Direct Analysis in Real Time Time-of-Flight Mass Spectrometric Methods for Identification of Organic Dyes in Historic Wool Textiles (2013)Developing Direct Analysis in…GC-MS analysis of curcumin dye after selective degradation treatment (2007)GC-MS analysis of curcumin dy…Monitoring Colour Change in Textiles on Display (1992)Noninvasive identification of turmeric and saffron dyes in proteinaceous textile fibres using Raman spectroscopy and multivariate analysis (2021)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)The Organic Chemistry of Museum Objects (1988)A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)Identification of anthraquinone coloring matters in natural red dyes by electrospray mass spectrometry coupled to capillary electrophoresis (2003)Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China (2004)Identification of natural dyes used in works of art by pyrolysis–gas chromatography/mass spectrometry combined with in situ trimethylsilylation (2005)The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)An Improved Dye and Lake Pigment Analysis Method for High-Performance Liquid Chromatography and Diode-Array Detector (1996)Liquid chromatography determination of natural dyes in extracts from historical Scottish textiles excavated from peat bogs (2005)Diffuse reflection FTIR spectral database of dyes and pigments (2006)Extracting natural dyes from wool—an evaluation of extraction methods (2011)Deterioration of materials. Causes and preventive techniques (1954)The nonaqueous deacidification of paper and books (1970)The Effects of Temperature and Moisture on the Accelerated Aging of Paper (1978)The Deterioration and Conservation of Dyed Historic Textiles (1986)Statistical Analysis in Art Conservation Research (1988)Principles of Experimental Design for Art Conservation Research (1992)The natural constituents of historical textile dyes (2004)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Identification of anthraquinone dye colourants in red fibres from an Ohio Hopewell mound site by direct analysis in real time mass spectrometry (2015)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Infrared Spectroscopy in Conservation Science (2000)Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach (2013)Synchrotron radiation micro-computed tomography for the investigation of finishing treatments in historical bowed string instruments: Issues and perspectives (2018)Reflection FTIR spectroscopy for the study of historical bowed string instruments: Invasive and non-invasive approaches (2020)New Insights on the Stradivari “Coristo” Mandolin: A Combined Non-Invasive Spectroscopic Approach (2021)Raman spectroscopic database of azo pigments and application to modern art studies (2000)A Review of the Classes, Structures, and Methods of Analysis of Synthetic Organic Pigments (2006)Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library (2012)The Ozone Fading of Traditional Japanese Colorants (1988)Dosimetry of paintings: determination of the degree of chemical change in museum-exposed test paintings by mass spectrometry (2000)Impact of medium and ambient environment on the photodegradation of carmine in solution and paints (2015)
this work references cited by second hop

References

  • 2003Identification of natural dyes in archeological Coptic textiles by liquid chromatography with diode array detection102 cited
  • 2000Analysis of anthraquinoid and indigoid dyes used in ancient artistic works by thermally assisted hydrolysis and methylation in the presence of tetramethylammonium hydroxide61 cited
  • 1987Fading of alizarin and related artists' pigments by atmospheric ozone: reaction products and mechanisms54 cited
  • 1983Deacidification of Degraded Linen12 cited

Cited by

  • 2018Approaches for Detecting Madder Lake in Multi-Layered Coating Systems of Historical Bowed String Instruments24 cited
  • 2021Discoloration of Historical Plastic Objects: New Insight into the Degradation of β-Naphthol Pigment Lakes20 cited
  • 2007GC-MS analysis of curcumin dye after selective degradation treatment19 cited
  • 2016Surface-Enhanced Raman Spectroscopy: Using Nanoparticles to Detect Trace Amounts of Colorants in Works of Art18 cited
  • 2013Developing Direct Analysis in Real Time Time-of-Flight Mass Spectrometric Methods for Identification of Organic Dyes in Historic Wool Textiles16 cited

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