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French Opera at the Fin de Siecle: Wagnerism, Nationalism, and Style · Study

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ArticleFrench Opera at the Fin de Siecle: Wagnerism, Nationalism, and Style

Thomas G. Kaufman2002

Article2002

French Opera at the Fin de Siecle: Wagnerism, Nationalism, and Style

Thomas G. Kaufman

35 citations·0/0 files stored·The Opera Quarterly

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Musicology and Musical Analysis Theater, Performance, and Music History Literature, Musicology, and Cultural Analysis

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French Opera at the Fin de Siècle: Wagnerism, Nationalism, and Style StevenHuebner New YorkOxford University Press 1999544$125.00

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2007The Puccini Problem: Opera, Nationalism, and Modernity 2016Understanding the leitmotif: from Wagner to Hollywood film music 2007Dandy, Interrupted: Sublimation, Repression, and Self-Portraiture in Maurice Ravel's Daphnis et Chloé (1909–1912)1999Victor Capoul, Marguerite Olagnier's "Le Saïs", and the Arousing of Female Desire 2004Nineteenth-Century Music: Quantity, Quality, Qualities 2003Wagner vs. Meyerbeer 2015The Operas of Maurice Ravel 2001Fervaal, Parsifal, and French National Identity

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Year2002

Typearticle

Published2002-04-01

VenueThe Opera Quarterly

ISSN-L0736-0053

Languageen

Citations35

Files0 public / 0

ShelfMusicology and Musical Analysis

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doi10.1093/oq/18.2.262

openalex_workW1992628097

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